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I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Robert Barry
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Robert Barry
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More quotes by Robert Barry
You can never really predict how people are going to react, what they're going to think about, whether they care.
Robert Barry
I try to create a kind of dynamic thing that hopefully some people will become interested in. And what they do with it after that is sort of up to them. But it's a specific item, it's a specific thing that I've done. And what they do with it is their problem.
Robert Barry
I don't have a dream project. I don't really think in those terms, to tell you the truth.
Robert Barry
I always took photographs. I photographed a lot of trees, by the way, which is another image I used often in my work, the tree image.
Robert Barry
The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.
Robert Barry
My videos rarely run longer than 20 minutes. They're made for private viewing in your home or specifically either that or for a gallery situation where you sit and look.
Robert Barry
I was good at art - always good at art.
Robert Barry
ne thing you have to develop as an artist is a confidence in what you're doing and that you're right about it.
Robert Barry
If somebody gives me a chance to do something, I am going to use that space, that time, that light, that whatever it is and try and work with it.
Robert Barry
I consider drawings finished works of art, first of all. However, the ideas can be something that can be developed into something larger. I don't make so many drawings anymore since I'm working with language. I used to make more when I worked with sculptural things, especially the wire pieces.
Robert Barry
The notion of a thing, materiality, was something that I think was something very in peoples' minds when they were dealing with earth and metal and different kinds of metals and the interaction of different sorts of material.
Robert Barry
Everybody is always satisfied with what I do.
Robert Barry
reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work.
Robert Barry
And style, by the way, is a very important thing. It is like your signature, your handwriting or it is something that you develop that is your way of presenting yourself and also your way of looking at what art - of how to make art.
Robert Barry
I certainly don't believe that people can read other people's minds.
Robert Barry
I made films from the - when I was a little kid, my father bought me a movie camera. I just wanted to. I don't know how. You just learn, you just do it. You just do it.
Robert Barry
I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.
Robert Barry
I am very generous with my dealers in terms of the art that they have of mine. They all have a very good selection of work that they can work with. And it is up to them to find the dealers. I don't interfere with their selling.
Robert Barry
I usually, if I give a talk, I don't usually prepare anything. I just say - you know, I may stop talking by showing some video or slides of what I do but mainly I try to respond to what problems people have with my work.
Robert Barry
I always had a fairly decent income, coming in just from the art.
Robert Barry