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I made films from the - when I was a little kid, my father bought me a movie camera. I just wanted to. I don't know how. You just learn, you just do it. You just do it.
Robert Barry
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Robert Barry
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More quotes by Robert Barry
If somebody gives me a chance to do something, I am going to use that space, that time, that light, that whatever it is and try and work with it.
Robert Barry
Normally my head is always filled with art ideas and things that I have to do, deadlines that I have to meet.
Robert Barry
ne thing you have to develop as an artist is a confidence in what you're doing and that you're right about it.
Robert Barry
I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.
Robert Barry
The drawings that I show - the drawings that I present to people are finished works in themselves. They're meant to be thought of that way and not necessarily lead to larger pieces or anything like that. And that's the way I work now.
Robert Barry
I took art courses, only in the sense that I was able to - I took art classes, which were fun, which I liked, but it was a - just a kind of a general education that I got, a regular academic - academic diploma, but I kind of had the feeling that art was something that I really liked the most but I wasn't really sure that that was it.
Robert Barry
I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.
Robert Barry
And the mind actually does generate electrical currents - very weak ones and not necessarily ones that can be picked up by anyone else.
Robert Barry
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
Robert Barry
I like working late at night and then going into the house and sitting down and watching a movie and then going to sleep.
Robert Barry
I wanted my style to be very recognizable.
Robert Barry
The first place I try to go when I have free time is the museums. I'm a big museum person.
Robert Barry
You know, there are some people who just don't - that cannot get comfortable behind the wheel of a car and always sort of think they're going to kill somebody.
Robert Barry
I never ever approached a dealer. I have always been approached by dealers or curators or whatever.
Robert Barry
Words have very potent meanings and people read them and they react to them personally. They are very suggestive in terms of your life and things like that.
Robert Barry
I had always worked. I always had part-time jobs.
Robert Barry
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.
Robert Barry
I try to create a kind of dynamic thing that hopefully some people will become interested in. And what they do with it after that is sort of up to them. But it's a specific item, it's a specific thing that I've done. And what they do with it is their problem.
Robert Barry
I am always producing work, but there is always a sort of deadline where you have to finish work. I don't do it for a show. In other words, I am not like a fashion designer where I have a, you know - I have to put out the full line or I have to put out the summer line like that.
Robert Barry