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So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.

Robert Barry

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Robert Barry
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More quotes by Robert Barry

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Everybody is always satisfied with what I do.
Robert Barry
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The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.
Robert Barry
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I had always worked. I always had part-time jobs.
Robert Barry
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But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
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I just try things and whether people like it or if I find it successful or not, I just do it.
Robert Barry
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I relied mainly on other artists, who I think are smarter than critics, any critics or curators or anybody like that. They really know.
Robert Barry
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You know, there are some people who just don't - that cannot get comfortable behind the wheel of a car and always sort of think they're going to kill somebody.
Robert Barry
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I'm my own worst critic. I mean, I know what's wrong with everything that I've done.
Robert Barry
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By being critical, you also develop your own style of what you like, what direction you want to move.
Robert Barry
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If you are operating in a certain way and you are thinking in a certain direction, suddenly opportunities arise. And if you are open to it, if you are not locked into your style too much or to what you think works.
Robert Barry
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Normally my head is always filled with art ideas and things that I have to do, deadlines that I have to meet.
Robert Barry
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I was also very interested in music. I used to hang out in jazz joints, you know, the Five Spot and so forth when I was, you know, a senior, really, when I was a little bit older. And I thought, well, maybe I could, you know, work with music. I can't play at all.
Robert Barry
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And style, by the way, is a very important thing. It is like your signature, your handwriting or it is something that you develop that is your way of presenting yourself and also your way of looking at what art - of how to make art.
Robert Barry
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I'm fortunate in one respect that I don't have a lot of work in my studio. Most of it's out, gone either sold or in galleries. I work with a lot of galleries.
Robert Barry
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reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work.
Robert Barry
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I wanted my style to be very recognizable.
Robert Barry
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And yes, there are things I want to keep, that I like around me - especially when there's very little left. I just want to keep those little bits of reminders of my past. There are certain drawings from the '60s certain little paintings from the '60s that I keep.
Robert Barry
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The Vogels were quite strict in what they acquired. They never acquired a projection. They never acquired a sound piece. They were never big on photos that much, unless it was photos documenting something. They had some limitations into what they bought.
Robert Barry
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I shoot a lot of video, first of all, whatever I think is interesting, just my travels hard to say why. If something looks good, I take a picture or try to shoot it.
Robert Barry
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I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Robert Barry