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I have never made a movie that's attracted a 14-year-old boy.

Robert Altman

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Robert Altman
Age: 81 †
Born: 1925
Born: February 20
Died: 2006
Died: November 20
Film Director
Film Editor
Film Producer
Librettist
Screenwriter
Theatrical Director
Writer
Kansas City
Missouri
Attracted
Boys
Movie
Year
Made
Years
Never

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Retirement? You're talking about death, right?
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They'll never give me an Oscar. And I sincerely, honestly don't care. I always turn up when I'm nominated and it would be nice to get one, but to win one would be bad luck. It comes with too much expectation. It would be the end.
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If George W. Bush is elected president, I'm leaving for France.
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I don't know what Altmanesque means, though I suppose I'm flattered by it.
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Titanic I thought was the most dreadful piece of work I've ever seen in my entire life. Another film that I think is equally bad was American Beauty. So badly acted and directed. But people like that.
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I'll give you the same advice I give my children: Never take advice from anybody.
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Maybe there's a chance to get back to grown-up films. Anything that uses humor and dramatic values to deal with human emotions and gets down to what people are to people.
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I was a heavy drinker, but the alcohol affected my heart rather than my liver. So I stopped. I smoke grass now. I say that to everybody, because marijuana should be legalized. It's ridiculous that it isn't. If at the end of the day I feel like smoking a joint I do it. It changes the perception of what I've been through all day.
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Happy endings are absolutely ludicrous, they're not true at all. We see the guy carry the girl across the threshold and everybody lives happily ever after -- that's bullshit. Three weeks later he's beating her up and she's suing for divorce and he's got cancer.
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Why should I keep doing things that I've done before?
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Making a movie is like chipping away at a stone. You take a piece off here, you take a piece off there and when you're finished, you have a sculpture. You know that there's something in there, but you're not sure exactly what it is until you find it.
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Words don't tell you what people are thinking. Rarely do we use words to really tell. We use words to sell people or to convince people or to make them admire us. It's all disguise. It's all hidden -- a secret language.
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I've had it-the agencies, the winking, the networks, the ratings. Anyone who thinks TV is an art medium is crazy-it's an advertising medium.
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The minute you have more than one voice, you have more possibilities opening up. You have all the molecules in all of those bodies and their make up interacting.
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You will never see'Altman's Great Film of the Seventies: The Director's Cut' because you have never seen a film of mine that wasn't the director's cut. I have never permitted it.
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Chance is another name that we give to our mistakes. And all of the best things in my films are mistakes.
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I want to see something that I've never seen before, so how can I tell that actor what that is? I'm not trying to construct a document or situation that is what I want, because what I want is something new to me.
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Most of my films I call arena films. I deal with a confined area -- an arena -- and I try to cover every aspect of it.
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That wasn't an ending. It was just a stopping point.
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[M*A*S*H] didn't get released by FOX, it escaped.
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