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You will never see'Altman's Great Film of the Seventies: The Director's Cut' because you have never seen a film of mine that wasn't the director's cut. I have never permitted it.

Robert Altman

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Robert Altman
Age: 81 †
Born: 1925
Born: February 20
Died: 2006
Died: November 20
Film Director
Film Editor
Film Producer
Librettist
Screenwriter
Theatrical Director
Writer
Kansas City
Missouri
Great
Director
Never
Mines
Mine
Directors
Cutting
Wasn
Altman
Seen
Permitted
Film
Seventies

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If you have a child who is seven feet tall, you don't cut off his head or his legs. You buy him a bigger bed and hope he plays basketball.
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Chance is another name that we give to our mistakes. And all of the best things in my films are mistakes.
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They'll never give me an Oscar. And I sincerely, honestly don't care. I always turn up when I'm nominated and it would be nice to get one, but to win one would be bad luck. It comes with too much expectation. It would be the end.
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I was a heavy drinker, but the alcohol affected my heart rather than my liver. So I stopped. I smoke grass now. I say that to everybody, because marijuana should be legalized. It's ridiculous that it isn't. If at the end of the day I feel like smoking a joint I do it. It changes the perception of what I've been through all day.
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I've had it-the agencies, the winking, the networks, the ratings. Anyone who thinks TV is an art medium is crazy-it's an advertising medium.
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I like audiences to crane their necks.
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If George W. Bush is elected president, I'm leaving for France.
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Making a movie is like chipping away at a stone. You take a piece off here, you take a piece off there and when you're finished, you have a sculpture. You know that there's something in there, but you're not sure exactly what it is until you find it.
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That wasn't an ending. It was just a stopping point.
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Words don't tell you what people are thinking. Rarely do we use words to really tell. We use words to sell people or to convince people or to make them admire us. It's all disguise. It's all hidden -- a secret language.
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The minute you have more than one voice, you have more possibilities opening up. You have all the molecules in all of those bodies and their make up interacting.
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I have never made a movie that's attracted a 14-year-old boy.
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I insist that they do what they became actors to do. I want them to create something and not just hit marks and say words. So they all love that because they're playing. It's called playacting. Their contributions are not only welcomed, but are accepted and used.
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There was not a lot of dialogue. The titles were just to keep you up. It's the visual stimulation that hits the audience. That's the reason for film. Otherwise, we might as well turn the light out and call it radio.
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[M*A*S*H] didn't get released by FOX, it escaped.
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I want to see something that I've never seen before, so how can I tell that actor what that is? I'm not trying to construct a document or situation that is what I want, because what I want is something new to me.
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I don't know what Altmanesque means, though I suppose I'm flattered by it.
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Retirement? You're talking about death, right?
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If something works for you, you continue to do it. I did a bunch of pictures for 20th Century Fox when Alan Ladd was over there, but I set the budgets so low that they'd approve and I'd deliver the film. They would have no say in it, which is the kind of arrangement I liked.
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We make too much of the good and too much of the bad.
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