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Most of my younger Native American friends are not in any way looking for sympathy, and they're not looking to lay guilt on anybody. They have their dignity, and they do what they do.
Robbie Robertson
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Robbie Robertson
Age: 80
Born: 1944
Born: July 5
Actor
Film Actor
Film Score Composer
Guitarist
Record Producer
Recording Artist
Screenwriter
Singer
Singer-Songwriter
City of Toronto
Dignity
Anybody
Looking
Friends
Sympathy
American
Native
Way
Younger
Lays
Guilt
More quotes by Robbie Robertson
You never know what could be interesting tomorrow.
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Some people love some music, and they hear it a year later and they think, 'What was I thinking?'
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You don't stumble upon your heritage. It's there, just waiting to be explored and shared.
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When people get together that come from different musical backgrounds, a lot of times there's is a good ... it's very enjoyable to say somebody, let me turn you on to some things, and the other person does the same thing. And they play you stuff that maybe you weren't that familiar with and likewise.
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When I was younger, I thought I was too young to really be personal. I thought that what I was feeling and thinking might be half-baked.
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I really have to feel a sense of freedom in my storytelling.
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If I can play one note and make you cry, then that's better than those fancy dancers playing twenty notes.
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I come from a family who prided themselves, both sides, on memory. And I was told growing up, constantly, that I was born with a really good memory.
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I think, some countries, you have to be dead to have your picture on a stamp.
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It's extraordinary that revolutions taking place around the world were sparked by communication on the Internet.
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Music should never be harmless.
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I haven't been to many music events where somebody was performing and it actually made me cry.
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Say a prayer for the lost generation, who spin the wheel out of desperation.
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It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable...Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass...Music should never be harmless.
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For years after 'The Last Waltz,' I got all kinds of silly movie offers - or, maybe, not silly, but parts that are not my calling lots of offers to play some wonderful boyfriend.
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I'd always thought Cage's 'Root of an Unfocus' would be great in a movie.
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I wanted to develop a guitar style where phrases and lines get there just in the nick of time, like with Curtis Mayfield and Steve Cropper. Subtleties mean so much, and there is a stunning beauty in them.
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There's a bookstore in New York where you could buy scripts, and I got addicted to them because they were easy, quick reads and the pictures were so vivid.
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Working on 'The Last Waltz' introduced me to Martin Scorsese, and I had been a movie bug since I was a young kid.
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It's a bit of a sore spot, the Thanksgiving in Indian country.
Robbie Robertson