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There's a bookstore in New York where you could buy scripts, and I got addicted to them because they were easy, quick reads and the pictures were so vivid.
Robbie Robertson
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Robbie Robertson
Age: 80
Born: 1944
Born: July 5
Actor
Film Actor
Film Score Composer
Guitarist
Record Producer
Recording Artist
Screenwriter
Singer
Singer-Songwriter
City of Toronto
Addicted
Reads
Vivid
Quick
Scripts
Pictures
Bookstore
York
Bookstores
Easy
More quotes by Robbie Robertson
Most of my younger Native American friends are not in any way looking for sympathy, and they're not looking to lay guilt on anybody. They have their dignity, and they do what they do.
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I haven't been to many music events where somebody was performing and it actually made me cry.
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The rock concert experience for people was really pretty stupid, you know, at the time. People would go to concerts not with the idea of listening at all.
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Everybody grows in their own way.
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Boy, do I got some stories to tell.
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When I was playing with Bob Dylan in, like, 1966, I was, like, 20 years old.
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I think that there's always great music being made. Always has been, always will be.
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I come from a family who prided themselves, both sides, on memory. And I was told growing up, constantly, that I was born with a really good memory.
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If I can play one note and make you cry, then that's better than those fancy dancers playing twenty notes.
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Working on 'The Last Waltz' introduced me to Martin Scorsese, and I had been a movie bug since I was a young kid.
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Some people love some music, and they hear it a year later and they think, 'What was I thinking?'
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When you make a record, your own record, and you don't even recognize it yourself, it's hard to think if anybody else is going to recognize.
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You don't stumble upon your heritage. It's there, just waiting to be explored and shared.
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I'd always thought Cage's 'Root of an Unfocus' would be great in a movie.
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Record making is an extraordinary experience.
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I've always been in love with that Delta-flavored music the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
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When I was younger, I thought I was too young to really be personal. I thought that what I was feeling and thinking might be half-baked.
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There is an extraordinary collaborative spirit when you are learning and growing.
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Some music is supposed to be disposable that's OK. A lot of music is fun for today, but it isn't supposed to be timeless it's supposed to be trendy.
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I like to work on records when I feel inspired, not because it's expected of me.
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