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Some people love some music, and they hear it a year later and they think, 'What was I thinking?'
Robbie Robertson
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Robbie Robertson
Age: 80
Born: 1944
Born: July 5
Actor
Film Actor
Film Score Composer
Guitarist
Record Producer
Recording Artist
Screenwriter
Singer
Singer-Songwriter
City of Toronto
Thinking
People
Later
Hear
Year
Music
Years
Love
Think
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I don't like overt traditionalism.
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I really have to feel a sense of freedom in my storytelling.
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When you make a record, your own record, and you don't even recognize it yourself, it's hard to think if anybody else is going to recognize.
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It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable...Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass...Music should never be harmless.
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Record making is an extraordinary experience.
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You fog the mind, you stir the soul.
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I haven't been to many music events where somebody was performing and it actually made me cry.
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You don't stumble upon your heritage. It's there, just waiting to be explored and shared.
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Some music is supposed to be disposable that's OK. A lot of music is fun for today, but it isn't supposed to be timeless it's supposed to be trendy.
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Once you establish a foundation of knowing what the greatest recording artists of all time were Wouldn't you want your kids to know this stuff?
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When I was younger, I thought I was too young to really be personal. I thought that what I was feeling and thinking might be half-baked.
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It's extraordinary that revolutions taking place around the world were sparked by communication on the Internet.
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If I can play one note and make you cry, then that's better than those fancy dancers playing twenty notes.
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I think, some countries, you have to be dead to have your picture on a stamp.
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I've always been in love with that Delta-flavored music the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
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There is an extraordinary collaborative spirit when you are learning and growing.
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I wanted to develop a guitar style where phrases and lines get there just in the nick of time, like with Curtis Mayfield and Steve Cropper. Subtleties mean so much, and there is a stunning beauty in them.
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I come from a family who prided themselves, both sides, on memory. And I was told growing up, constantly, that I was born with a really good memory.
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