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Music should never be harmless.

Robbie Robertson

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Robbie Robertson
Age: 80
Born: 1944
Born: July 5
Actor
Film Actor
Film Score Composer
Guitarist
Record Producer
Recording Artist
Screenwriter
Singer
Singer-Songwriter
City of Toronto
Jazz
Musical
Music
Never
Harmless

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I haven't been to many music events where somebody was performing and it actually made me cry.
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Record making is an extraordinary experience.
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Some music is supposed to be disposable that's OK. A lot of music is fun for today, but it isn't supposed to be timeless it's supposed to be trendy.
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When people get together that come from different musical backgrounds, a lot of times there's is a good ... it's very enjoyable to say somebody, let me turn you on to some things, and the other person does the same thing. And they play you stuff that maybe you weren't that familiar with and likewise.
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I try not to think the song to death. The main criteria is if it's working on an emotional level.
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I think, some countries, you have to be dead to have your picture on a stamp.
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I wanted to develop a guitar style where phrases and lines get there just in the nick of time, like with Curtis Mayfield and Steve Cropper. Subtleties mean so much, and there is a stunning beauty in them.
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You don't stumble upon your heritage. It's there, just waiting to be explored and shared.
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I'd always thought Cage's 'Root of an Unfocus' would be great in a movie.
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It's extraordinary that revolutions taking place around the world were sparked by communication on the Internet.
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You fog the mind, you stir the soul.
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I really have to feel a sense of freedom in my storytelling.
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It's a bit of a sore spot, the Thanksgiving in Indian country.
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I like to work on records when I feel inspired, not because it's expected of me.
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I've always been in love with that Delta-flavored music the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
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There's a bookstore in New York where you could buy scripts, and I got addicted to them because they were easy, quick reads and the pictures were so vivid.
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Everybody grows in their own way.
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If I can play one note and make you cry, then that's better than those fancy dancers playing twenty notes.
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Working on 'The Last Waltz' introduced me to Martin Scorsese, and I had been a movie bug since I was a young kid.
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It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable...Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass...Music should never be harmless.
Robbie Robertson