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Music should never be harmless.
Robbie Robertson
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Robbie Robertson
Age: 80
Born: 1944
Born: July 5
Actor
Film Actor
Film Score Composer
Guitarist
Record Producer
Recording Artist
Screenwriter
Singer
Singer-Songwriter
City of Toronto
Harmless
Jazz
Musical
Music
Never
More quotes by Robbie Robertson
Lord please save his soul, he was the king of rock and roll.
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I'd always thought Cage's 'Root of an Unfocus' would be great in a movie.
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When I was younger, I thought I was too young to really be personal. I thought that what I was feeling and thinking might be half-baked.
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I really have to feel a sense of freedom in my storytelling.
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I think that there's always great music being made. Always has been, always will be.
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It's extraordinary that revolutions taking place around the world were sparked by communication on the Internet.
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I like to work on records when I feel inspired, not because it's expected of me.
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I try not to think the song to death. The main criteria is if it's working on an emotional level.
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The rock concert experience for people was really pretty stupid, you know, at the time. People would go to concerts not with the idea of listening at all.
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It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable...Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass...Music should never be harmless.
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There is an extraordinary collaborative spirit when you are learning and growing.
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I come from a family who prided themselves, both sides, on memory. And I was told growing up, constantly, that I was born with a really good memory.
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Working on 'The Last Waltz' introduced me to Martin Scorsese, and I had been a movie bug since I was a young kid.
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I've always been in love with that Delta-flavored music the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
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Boy, do I got some stories to tell.
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I don't like overt traditionalism.
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When you make a record, your own record, and you don't even recognize it yourself, it's hard to think if anybody else is going to recognize.
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Everybody grows in their own way.
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When I was playing with Bob Dylan in, like, 1966, I was, like, 20 years old.
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When people get together that come from different musical backgrounds, a lot of times there's is a good ... it's very enjoyable to say somebody, let me turn you on to some things, and the other person does the same thing. And they play you stuff that maybe you weren't that familiar with and likewise.
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