Quote

Falling in love with Renee was not the kind of thing you walk away from in one piece. I had no chance. She put a hitch in my git-a-long.

Rob Sheffield

Change background

T
T
T

Change font

TAGS & TOPICS

Rob Sheffield
Age: 58
Born: 1966
Born: February 2
Journalist
Music Critic
Writer
the United States of America
Robert James Sheffield
Away
Hitch
Thing
Falling
Long
Piece
Kind
Walk
Love
Pieces
Walks
Chance
Fall
Renee

More quotes by Rob Sheffield

Image
I realize that I will never fully understand the millions of bizarre ways that music brings people together.
Rob Sheffield
Image
'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks, Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.
Rob Sheffield
Image
I was totally clueless about social interaction, and completely scared of girls. All I knew was that music was going to make girls fall in love with me.
Rob Sheffield
Image
You can hear the Celtic heartbeat all over Europe and America, from Bing Crosby to Jack White, from the Smiths to My Bloody Valentine, from House of Pain to Marky Mark and the Funky Bunch.
Rob Sheffield
Image
Every moment of my life has a soundtrack, so I never know when some song is going to jump me by surprise and bring the memory alive.
Rob Sheffield
Image
One of Renee's friends asked her, Does your boyfriend wear glasses? She said, No, he wears a Walkman.
Rob Sheffield
Image
Our amour fou with 'The Sopranos' is headed for long-term parking, like so many of its most memorable characters. We'll never see a show like this again.
Rob Sheffield
Image
The hungry feeling and the lonely feeling merged until it was hard to tell them apart.
Rob Sheffield
Image
Hometown Aerosmith fans are different from other Aerosmith fans, and that mainly has to do with Joe Perry. It's tough to overstate his strange grip on the local psyche. Tyler is a star who belongs to the whole world, but Perry, that dude belongs to Boston.
Rob Sheffield
Image
'So You Think You Can Dance' comes on as a high-minded leap up the evolutionary ladder from other reality shows - on this one, you're supposed to learn something, and the guest judges are fellow dance professionals rather than actual celebrities.
Rob Sheffield
Image
But MTV relishes its vestigial role as a star maker, so every year it puts all its clout into making the VMAs the biggest, splashiest, loudest show-biz extravaganza of the year, honoring all this music for existing, after a year of paying barely any attention to it.
Rob Sheffield
Image
But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy, human bodies.
Rob Sheffield
Image
There are all kinds of mix tapes. There is always a reason to make one.
Rob Sheffield
Image
A song nobody likes is a sad thing. But a love song nobody likes is hardly a thing at all.
Rob Sheffield
Image
It goes without saying that 'Buncha Losers' comedies speak to tough times. The massive unemployment of the Reagan years gave us 'Taxi,' 'Cheers' and the genre-defining 'Night Court,' a show you could never admit to watching without making people feel sorry for you.
Rob Sheffield
Image
I get sentimental over the music of the ’90s. Deplorable, really. But I love it all. As far as I’m concerned the ’90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps.
Rob Sheffield
Image
The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
Rob Sheffield
Image
The Stones suggested that if you dabble in decadence, you could turn into a devil-worshipping junkie. Paul McCartney suggested that if you mess around with girl worship, you could turn into a husband. So Paul was a lot scarier.
Rob Sheffield
Image
Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.
Rob Sheffield
Image
'The Sopranos' gets praised as novelistic, but it follows the most banal of life patterns, showing the sheer tedium of being a mobster. It has dead spots, boring plotlines, weak episodes. Characters develop slowly, or don't. Like viewers, a gangster might get bored, fade out of the action, then come back to find none of his debts forgotten.
Rob Sheffield