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When you stick a song on a tape, you set it free.
Rob Sheffield
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Rob Sheffield
Age: 58
Born: 1966
Born: February 2
Journalist
Music Critic
Writer
the United States of America
Robert James Sheffield
Sheffield
Tape
Stick
Sticks
Free
Song
Music
More quotes by Rob Sheffield
I didn't know what I was. I didn't have a noun.
Rob Sheffield
One of the billions of things I love about Beyonce: The harder she tries to come on crazy, the less crazy she sounds.
Rob Sheffield
The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
Rob Sheffield
I realize that I will never fully understand the millions of bizarre ways that music brings people together.
Rob Sheffield
You can't beat the beehive for glam punkette attitude.
Rob Sheffield
'So You Think You Can Dance' comes on as a high-minded leap up the evolutionary ladder from other reality shows - on this one, you're supposed to learn something, and the guest judges are fellow dance professionals rather than actual celebrities.
Rob Sheffield
Every moment of my life has a soundtrack, so I never know when some song is going to jump me by surprise and bring the memory alive.
Rob Sheffield
It's always that one song that gets to you. You can hide, but the song comes to find you.
Rob Sheffield
'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks, Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.
Rob Sheffield
The Stones suggested that if you dabble in decadence, you could turn into a devil-worshipping junkie. Paul McCartney suggested that if you mess around with girl worship, you could turn into a husband. So Paul was a lot scarier.
Rob Sheffield
'American Horror' is the debasement of the suburban family, the way a lonely kid would have imagined it in the Seventies.
Rob Sheffield
Most of an award-show host's job is showing up and keeping a cool head and soldiering through it, whether it's the Oscars or the Hallmark Channel's 'Hero Dog Awards.'
Rob Sheffield
On 'Idol,' Steven Tyler will be sitting at a table with two other judges, and part of his job will be keeping his yap zipped while they talk. This makes no sense at all, since Tyler has zero yap-zipping skills.
Rob Sheffield
I get sentimental over the music of the ā90s. Deplorable, really. But I love it all. As far as Iām concerned the ā90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps.
Rob Sheffield
Unlike me, Renee was not shy she was a real people-pleaser. She worried way too much what people thought of her, wore her heart on her sleeve, expected too much from people, and got hurt too easily. She kept other people's secrets like a champ, but told her own too fast. She expected the world not to cheat her and was always surprised when it did.
Rob Sheffield
Baseball's Opening Day is full of time-honored traditions: the President throws out the first ball, the Cubs' starting pitcher walks away with a 54.00 ERA, the Royals get mathematically eliminated from the pennant race.
Rob Sheffield
Thank you for the music, Sleater-Kinney. This gang of three was the best American punk rock band ever. Ever.
Rob Sheffield
'The Sopranos' gets praised as novelistic, but it follows the most banal of life patterns, showing the sheer tedium of being a mobster. It has dead spots, boring plotlines, weak episodes. Characters develop slowly, or don't. Like viewers, a gangster might get bored, fade out of the action, then come back to find none of his debts forgotten.
Rob Sheffield
Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.
Rob Sheffield
When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst.
Rob Sheffield