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Our amour fou with 'The Sopranos' is headed for long-term parking, like so many of its most memorable characters. We'll never see a show like this again.
Rob Sheffield
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Rob Sheffield
Age: 58
Born: 1966
Born: February 2
Journalist
Music Critic
Writer
the United States of America
Robert James Sheffield
Sopranos
Character
Parking
Many
Headed
Long
Memorable
Never
Characters
Like
Term
Show
Amour
Shows
More quotes by Rob Sheffield
A song nobody likes is a sad thing. But a love song nobody likes is hardly a thing at all.
Rob Sheffield
Rebecca Black might sing like a robot, but that's just proof she has evolved beyond us. Her vocal is just a slightly exaggerated version of the robot glitch-twitch stutter that's been mainstream pop vocalese for the past 10 years or so.
Rob Sheffield
'Revenge' is a shameless soap in the style of Eighties shoulder-pad slap-offs like 'Dallas,' 'Dynasty' and 'Falcon Crest.' Yet there's no wink-wink camp.
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When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst.
Rob Sheffield
Baseball's Opening Day is full of time-honored traditions: the President throws out the first ball, the Cubs' starting pitcher walks away with a 54.00 ERA, the Royals get mathematically eliminated from the pennant race.
Rob Sheffield
When you stick a song on a tape, you set it free.
Rob Sheffield
Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd.
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Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.
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Every mix tape tells a story. Put them together, and they add up to the story of life.
Rob Sheffield
The Stones suggested that if you dabble in decadence, you could turn into a devil-worshipping junkie. Paul McCartney suggested that if you mess around with girl worship, you could turn into a husband. So Paul was a lot scarier.
Rob Sheffield
One nice thing about growing up Catholic is it makes you open-minded about other people's religions, since ours is nuttier than yours.
Rob Sheffield
Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss Liz Lemon just works here.
Rob Sheffield
But the answer is simple. Love is a mix tape.
Rob Sheffield
The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
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Falling in love with Renee was not the kind of thing you walk away from in one piece. I had no chance. She put a hitch in my git-a-long.
Rob Sheffield
Donna Summer would be remembered as a ground-breaking artist today even if she'd retired the day after she recorded 'I Feel Love' in 1977.
Rob Sheffield
I'd shut the whole world down just to tell you.
Rob Sheffield
I didn't know what I was. I didn't have a noun.
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On 'Idol,' Steven Tyler will be sitting at a table with two other judges, and part of his job will be keeping his yap zipped while they talk. This makes no sense at all, since Tyler has zero yap-zipping skills.
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There are all kinds of mix tapes. There is always a reason to make one.
Rob Sheffield