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Our amour fou with 'The Sopranos' is headed for long-term parking, like so many of its most memorable characters. We'll never see a show like this again.
Rob Sheffield
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Rob Sheffield
Age: 58
Born: 1966
Born: February 2
Journalist
Music Critic
Writer
the United States of America
Robert James Sheffield
Never
Memorable
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Characters
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Shows
Amour
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Sopranos
Many
Parking
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Headed
More quotes by Rob Sheffield
But bringing people together is what music has always done best.
Rob Sheffield
'Revenge' is a shameless soap in the style of Eighties shoulder-pad slap-offs like 'Dallas,' 'Dynasty' and 'Falcon Crest.' Yet there's no wink-wink camp.
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Every mix tape tells a story. Put them together, and they add up to the story of life.
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'So You Think You Can Dance' comes on as a high-minded leap up the evolutionary ladder from other reality shows - on this one, you're supposed to learn something, and the guest judges are fellow dance professionals rather than actual celebrities.
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Hometown Aerosmith fans are different from other Aerosmith fans, and that mainly has to do with Joe Perry. It's tough to overstate his strange grip on the local psyche. Tyler is a star who belongs to the whole world, but Perry, that dude belongs to Boston.
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When you stick a song on a tape, you set it free.
Rob Sheffield
Davy Jones was the grooviest of the Monkees, which makes him one of the grooviest pop stars who ever existed. He was the best dancer in the Monkees, the Cute One, the one with the coy English accent, the bowl-cut boy-child who shook those cherry-red maracas and always got the girl. He was also the guy who stole David Bowie's original name.
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The Stones suggested that if you dabble in decadence, you could turn into a devil-worshipping junkie. Paul McCartney suggested that if you mess around with girl worship, you could turn into a husband. So Paul was a lot scarier.
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Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.
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The times you lived through, the people you shared those times with — nothing brings it all to life like an old mix tape. It does a better job of storing up memories than actual brain tissue can do. Every mix tape tells a story. Put them together, and they can add up to the story of a life.
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Baseball's Opening Day is full of time-honored traditions: the President throws out the first ball, the Cubs' starting pitcher walks away with a 54.00 ERA, the Royals get mathematically eliminated from the pennant race.
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The dilemma of the eighth-grade dance is that boys and girls use music in different ways. Girls enjoy music they can dance to, music with strong vocals and catchy melodies. Boys, on the other hand, enjoy music they can improve by making up filthy new lyrics.
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Unlike me, Renee was not shy she was a real people-pleaser. She worried way too much what people thought of her, wore her heart on her sleeve, expected too much from people, and got hurt too easily. She kept other people's secrets like a champ, but told her own too fast. She expected the world not to cheat her and was always surprised when it did.
Rob Sheffield
I didn't know what I was. I didn't have a noun.
Rob Sheffield
Donna Summer would be remembered as a ground-breaking artist today even if she'd retired the day after she recorded 'I Feel Love' in 1977.
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Sending Paris Hilton to jail for being the most loathed celeprosy lesion in the history of the species seems like a happening idea at first - forty-five days at Century Regional Detention Center is so the new thirty days at Promises Malibu! But it sets a dangerous precedent to jail celebs just because someone hates them.
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But MTV relishes its vestigial role as a star maker, so every year it puts all its clout into making the VMAs the biggest, splashiest, loudest show-biz extravaganza of the year, honoring all this music for existing, after a year of paying barely any attention to it.
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It was R.E.M. who showed other Eighties bands how to get away with ignoring the rules - they lived in some weird town nobody never heard of, they didn't play power chords, they probably couldn't even spell 'spandex.' All they had was songs.
Rob Sheffield
Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss Liz Lemon just works here.
Rob Sheffield
'American Horror' is the debasement of the suburban family, the way a lonely kid would have imagined it in the Seventies.
Rob Sheffield