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On 'Idol,' Steven Tyler will be sitting at a table with two other judges, and part of his job will be keeping his yap zipped while they talk. This makes no sense at all, since Tyler has zero yap-zipping skills.

Rob Sheffield

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Rob Sheffield
Age: 58
Born: 1966
Born: February 2
Journalist
Music Critic
Writer
the United States of America
Robert James Sheffield
Talk
Zero
Jobs
Table
Sense
Keeping
Makes
Tables
Tyler
Two
Judging
Steven
Part
Skills
Idol
Sitting
Judges
Since
Idols

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But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy, human bodies.
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Just as Bowie, Zeppelin, etc., became rock stars by remaking themselves in the image of the California girls, the Go-Gos became rock stars by pretending to be the Buzzcocks and the Sex Pistols. Jane Wiedlin always said her biggest influence was growing up in L.A. as a Bowie girl.
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Tonight, I feel like my whole body is made out of memories. I'm a mix-tape, a cassette that's been rewound so many times you can hear the fingerprints smudged on the tape.
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It was bewildering and humbling to keep discovering how many brave things people can fail to talk themselves out of doing.
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I get sentimental over the music of the ’90s. Deplorable, really. But I love it all. As far as I’m concerned the ’90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps.
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I was the only kid at Camp Don Bosco who would admit he was an alter boy back home, so I served two masses a day all summer. But I loved the cassock and surplice, ringing the bells, lighting the candles - it was like being a glamrock roadie for God.
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Thank you for the music, Sleater-Kinney. This gang of three was the best American punk rock band ever. Ever.
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'Revenge' is a shameless soap in the style of Eighties shoulder-pad slap-offs like 'Dallas,' 'Dynasty' and 'Falcon Crest.' Yet there's no wink-wink camp.
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It goes without saying that 'Buncha Losers' comedies speak to tough times. The massive unemployment of the Reagan years gave us 'Taxi,' 'Cheers' and the genre-defining 'Night Court,' a show you could never admit to watching without making people feel sorry for you.
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The first season of 'Community' stumbled a bit because the plotlines too often veered into realism, but that is not a problem anymore. Not when prize episodes concern a campuswide blanket fort, or a secret garden with a magic trampoline.
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Most of an award-show host's job is showing up and keeping a cool head and soldiering through it, whether it's the Oscars or the Hallmark Channel's 'Hero Dog Awards.'
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Hometown Aerosmith fans are different from other Aerosmith fans, and that mainly has to do with Joe Perry. It's tough to overstate his strange grip on the local psyche. Tyler is a star who belongs to the whole world, but Perry, that dude belongs to Boston.
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One of Renee's friends asked her, Does your boyfriend wear glasses? She said, No, he wears a Walkman.
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I didn't know what I was. I didn't have a noun.
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'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks, Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.
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Unlike me, Renee was not shy she was a real people-pleaser. She worried way too much what people thought of her, wore her heart on her sleeve, expected too much from people, and got hurt too easily. She kept other people's secrets like a champ, but told her own too fast. She expected the world not to cheat her and was always surprised when it did.
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You can hear the Celtic heartbeat all over Europe and America, from Bing Crosby to Jack White, from the Smiths to My Bloody Valentine, from House of Pain to Marky Mark and the Funky Bunch.
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