Quote

Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss Liz Lemon just works here.

Rob Sheffield

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Rob Sheffield
Age: 58
Born: 1966
Born: February 2
Journalist
Music Critic
Writer
the United States of America
Robert James Sheffield
Writer
Version
Playing
Boss
Fictionalized
Comedy
Versions
Liz
Knew
Plays
Fey
Anyone
Watching
Tina
Also
Rock
Lemon
Play
Rocks
Workaholic
Always
Works
Lemons

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Every American wants a clean slate, but nobody wants to lose what they've got.
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Sending Paris Hilton to jail for being the most loathed celeprosy lesion in the history of the species seems like a happening idea at first - forty-five days at Century Regional Detention Center is so the new thirty days at Promises Malibu! But it sets a dangerous precedent to jail celebs just because someone hates them.
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But bringing people together is what music has always done best.
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Our amour fou with 'The Sopranos' is headed for long-term parking, like so many of its most memorable characters. We'll never see a show like this again.
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When Ke$ha tries to rap like L'Trimm, she sounds like any ordinary lonely teenage girl stuck in a nowhere town, singing along to her radio and dreaming of a party where she's the star. Ke$ha's greatness is that in her voice, you can hear both the loser girl and the star. All hail the Queen of Noi$e!
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I was totally clueless about social interaction, and completely scared of girls. All I knew was that music was going to make girls fall in love with me.
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I didn't know what I was. I didn't have a noun.
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Every mix tape tells a story. Put them together, and they add up to the story of life.
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Unlike me, Renee was not shy she was a real people-pleaser. She worried way too much what people thought of her, wore her heart on her sleeve, expected too much from people, and got hurt too easily. She kept other people's secrets like a champ, but told her own too fast. She expected the world not to cheat her and was always surprised when it did.
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I'd shut the whole world down just to tell you.
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The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
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I get sentimental over the music of the ’90s. Deplorable, really. But I love it all. As far as I’m concerned the ’90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps.
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The Stones suggested that if you dabble in decadence, you could turn into a devil-worshipping junkie. Paul McCartney suggested that if you mess around with girl worship, you could turn into a husband. So Paul was a lot scarier.
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I realize that I will never fully understand the millions of bizarre ways that music brings people together.
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It was R.E.M. who showed other Eighties bands how to get away with ignoring the rules - they lived in some weird town nobody never heard of, they didn't play power chords, they probably couldn't even spell 'spandex.' All they had was songs.
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It's kind of amazing how popular 'Grey's Anatomy' is. What other show can boast such an annoyingly sincere cast of doctors, sniveling through such perfunctory love triangles?
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One of Renee's friends asked her, Does your boyfriend wear glasses? She said, No, he wears a Walkman.
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Every moment of my life has a soundtrack, so I never know when some song is going to jump me by surprise and bring the memory alive.
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It goes without saying that 'Buncha Losers' comedies speak to tough times. The massive unemployment of the Reagan years gave us 'Taxi,' 'Cheers' and the genre-defining 'Night Court,' a show you could never admit to watching without making people feel sorry for you.
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But MTV relishes its vestigial role as a star maker, so every year it puts all its clout into making the VMAs the biggest, splashiest, loudest show-biz extravaganza of the year, honoring all this music for existing, after a year of paying barely any attention to it.
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