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Every American wants a clean slate, but nobody wants to lose what they've got.

Rob Sheffield

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Rob Sheffield
Age: 58
Born: 1966
Born: February 2
Journalist
Music Critic
Writer
the United States of America
Robert James Sheffield
Every
Slate
Clean
Nobody
Lose
Wants
Loses
American

More quotes by Rob Sheffield

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Every moment of my life has a soundtrack, so I never know when some song is going to jump me by surprise and bring the memory alive.
Rob Sheffield
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When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst.
Rob Sheffield
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The Stones suggested that if you dabble in decadence, you could turn into a devil-worshipping junkie. Paul McCartney suggested that if you mess around with girl worship, you could turn into a husband. So Paul was a lot scarier.
Rob Sheffield
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I get sentimental over the music of the ’90s. Deplorable, really. But I love it all. As far as I’m concerned the ’90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps.
Rob Sheffield
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One of the billions of things I love about Beyonce: The harder she tries to come on crazy, the less crazy she sounds.
Rob Sheffield
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I'd shut the whole world down just to tell you.
Rob Sheffield
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Davy Jones was the grooviest of the Monkees, which makes him one of the grooviest pop stars who ever existed. He was the best dancer in the Monkees, the Cute One, the one with the coy English accent, the bowl-cut boy-child who shook those cherry-red maracas and always got the girl. He was also the guy who stole David Bowie's original name.
Rob Sheffield
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'I'll Tumble 4 Ya' has to be one of the most ridiculous hit singles that any international superstars have given the world.
Rob Sheffield
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Unlike me, Renee was not shy she was a real people-pleaser. She worried way too much what people thought of her, wore her heart on her sleeve, expected too much from people, and got hurt too easily. She kept other people's secrets like a champ, but told her own too fast. She expected the world not to cheat her and was always surprised when it did.
Rob Sheffield
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I was totally clueless about social interaction, and completely scared of girls. All I knew was that music was going to make girls fall in love with me.
Rob Sheffield
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Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.
Rob Sheffield
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When I was a junior, my school introduced badminton, which was clearly a P.E. department ploy to get me away from the wrestling room, and it worked, since the first time I played badminton was like the first time I tasted sushi or heard the Beatles or read Wordsworth. This was a sport? This counted for gym requirements?
Rob Sheffield
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One of Renee's friends asked her, Does your boyfriend wear glasses? She said, No, he wears a Walkman.
Rob Sheffield
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It's kind of amazing how popular 'Grey's Anatomy' is. What other show can boast such an annoyingly sincere cast of doctors, sniveling through such perfunctory love triangles?
Rob Sheffield
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It goes without saying that 'Buncha Losers' comedies speak to tough times. The massive unemployment of the Reagan years gave us 'Taxi,' 'Cheers' and the genre-defining 'Night Court,' a show you could never admit to watching without making people feel sorry for you.
Rob Sheffield
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'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks, Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.
Rob Sheffield
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Thank you for the music, Sleater-Kinney. This gang of three was the best American punk rock band ever. Ever.
Rob Sheffield
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Our amour fou with 'The Sopranos' is headed for long-term parking, like so many of its most memorable characters. We'll never see a show like this again.
Rob Sheffield
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The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
Rob Sheffield
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On 'Idol,' Steven Tyler will be sitting at a table with two other judges, and part of his job will be keeping his yap zipped while they talk. This makes no sense at all, since Tyler has zero yap-zipping skills.
Rob Sheffield