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Every moment of my life has a soundtrack, so I never know when some song is going to jump me by surprise and bring the memory alive.

Rob Sheffield

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Rob Sheffield
Age: 58
Born: 1966
Born: February 2
Journalist
Music Critic
Writer
the United States of America
Robert James Sheffield
Alive
Moment
Song
Sheffield
Moments
Jump
Going
Surprise
Every
Memory
Never
Memories
Life
Bring

More quotes by Rob Sheffield

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Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss Liz Lemon just works here.
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'Revenge' is a shameless soap in the style of Eighties shoulder-pad slap-offs like 'Dallas,' 'Dynasty' and 'Falcon Crest.' Yet there's no wink-wink camp.
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Falling in love with Renee was not the kind of thing you walk away from in one piece. I had no chance. She put a hitch in my git-a-long.
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Donna Summer would be remembered as a ground-breaking artist today even if she'd retired the day after she recorded 'I Feel Love' in 1977.
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The hungry feeling and the lonely feeling merged until it was hard to tell them apart.
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Sending Paris Hilton to jail for being the most loathed celeprosy lesion in the history of the species seems like a happening idea at first - forty-five days at Century Regional Detention Center is so the new thirty days at Promises Malibu! But it sets a dangerous precedent to jail celebs just because someone hates them.
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On 'Idol,' Steven Tyler will be sitting at a table with two other judges, and part of his job will be keeping his yap zipped while they talk. This makes no sense at all, since Tyler has zero yap-zipping skills.
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One of the billions of things I love about Beyonce: The harder she tries to come on crazy, the less crazy she sounds.
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But the answer is simple. Love is a mix tape.
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I realize that I will never fully understand the millions of bizarre ways that music brings people together.
Rob Sheffield
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When you stick a song on a tape, you set it free.
Rob Sheffield
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'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks, Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.
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Unlike me, Renee was not shy she was a real people-pleaser. She worried way too much what people thought of her, wore her heart on her sleeve, expected too much from people, and got hurt too easily. She kept other people's secrets like a champ, but told her own too fast. She expected the world not to cheat her and was always surprised when it did.
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I'd shut the whole world down just to tell you.
Rob Sheffield
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When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst.
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You can't beat the beehive for glam punkette attitude.
Rob Sheffield
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The first season of 'Community' stumbled a bit because the plotlines too often veered into realism, but that is not a problem anymore. Not when prize episodes concern a campuswide blanket fort, or a secret garden with a magic trampoline.
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The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
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Just as Bowie, Zeppelin, etc., became rock stars by remaking themselves in the image of the California girls, the Go-Gos became rock stars by pretending to be the Buzzcocks and the Sex Pistols. Jane Wiedlin always said her biggest influence was growing up in L.A. as a Bowie girl.
Rob Sheffield
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Most of an award-show host's job is showing up and keeping a cool head and soldiering through it, whether it's the Oscars or the Hallmark Channel's 'Hero Dog Awards.'
Rob Sheffield