The reason I started with prostitutes was solely to work on my negotiating skills. Once I mastered negotiating with naked women, dealing with Interscope was a piece of cake.

If enough people out there want a physical product, I'll be happy to make one. I'd say about 10,000 people is enough.

The internet has not granted us more control in relation to the record company because we're still bound by an agreement with them not to release our music without their consent. But they generally let us do what we want, anyway, so it doesn't matter who's officially in control.

It is cool to have a label head that is also a songwriter, in a band, and produces records.

I enjoy listening to the albums of my youth as much as ever.

I'm constantly fighting with my manager to reduce the amount of time I have to spend on promotional activities, so I can get back in the studio and work on new music.

I never feel guilty about liking music.

I can't say I was consciously thinking of the big changes in the music business when I was writing the lyrics, but change, uncertainty, flux, impermanence - these are things I'm acutely aware of. And I enjoy facing it all.

Most of the songs I write just very directly from my life. I don't have a big imagination. Whenever I tried to write from fantasy, it comes out sounding really fake.

I think there is a very subtle shift from the metal I grew up on to Weezer. I think the big shift was from a minor key to a major key. That made a huge difference in how it was perceived.