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A lot of blues guitarists play with only three fingers, and they can't figure out certain runs that require the use of their little fingers. Classical training is good for that.
Ritchie Blackmore
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Ritchie Blackmore
Age: 79
Born: 1945
Born: April 14
Guitarist
Songwriter
Weston-super-Mare
Somerset
Richard Hugh Blackmore
00041104344 IPI
00041499477 IPI
Richard Blackmore
Littles
Fingers
Little
Figure
Play
Figures
Guitarists
Good
Training
Guitarist
Use
Classical
Running
Blues
Three
Runs
Certain
Require
More quotes by Ritchie Blackmore
I see someone like John Williams, the classical player, and the amount of discipline and the natural ability that man has is so frightening. That requires so much natural talent. And I think my talent came from just practising, and I feel a bit intimidated when I see players that good.
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The cello is such a melancholy instrument, such an isolated, miserable instrument.
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Those record companies don't know what's happening at all.
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The only way you can get good, unless you're a genius, is to copy. That's the best thing. Just steal.
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I however don't go to clubs to show off and to be seen, and certainly not to make statements. I just want to be able to quietly watch a band.
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Learning to play with a big amplifier is like trying to control an elephant.
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One of the reasons I took up the guitar was I didn't want to speak to anybody. I really felt uncomfortable speaking to people, so I took the guitar up so I could hide behind it. I'm not comfortable explaining things, because my brain doesn't work that way.
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I found the blues too limiting, and classical was too disciplined.
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I can turn on some jazz guitarist, and he won't do a thing for me, if he's not playing electrically. But Jeff Beck's great to listen to.
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When you're recording, if you're not really clean in your playing, it sounds like a mess.
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I can never remember what I do even in the studio.
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I was impressed by Hendrix. Not so much by his playing, as his attitude - he wasn't a great player, but everything else about him was brilliant.
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If you can play well in the studio, you can play well on stage.
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I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.
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If a ballet dancer falls over, it's knowing how to get out looking clumsy that counts.
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