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I can never remember what I do even in the studio.

Ritchie Blackmore

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Ritchie Blackmore
Age: 79
Born: 1945
Born: April 14
Guitarist
Songwriter
Weston-super-Mare
Somerset
Richard Hugh Blackmore
00041104344 IPI
00041499477 IPI
Richard Blackmore
Remember
Even
Never
Studio
Studios

More quotes by Ritchie Blackmore

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I don't put myself on Jeff Beck's level, but I can relate to him when he says he'd rather be working on his car collection than playing the guitar.
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I'm very moved by Renaissance music, but I still love to play hard rock - though only if it's sophisticated and has some thought behind it.
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I however don't go to clubs to show off and to be seen, and certainly not to make statements. I just want to be able to quietly watch a band.
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In my early days, I never used finger vibrato at all. I originally carved my reputation as one of the 'fast' guitar players.
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I'm not into that Keith Richard trip of having all those guitars in different tunings. I never liked the Rolling Stones much anyway.
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Those record companies don't know what's happening at all.
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Ian Gillan, Roger Glover and I wanted to be a hard rock band - we wanted to play rock and roll only.
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I see someone like John Williams, the classical player, and the amount of discipline and the natural ability that man has is so frightening. That requires so much natural talent. And I think my talent came from just practising, and I feel a bit intimidated when I see players that good.
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If you can play well in the studio, you can play well on stage.
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One of the reasons I took up the guitar was I didn't want to speak to anybody. I really felt uncomfortable speaking to people, so I took the guitar up so I could hide behind it. I'm not comfortable explaining things, because my brain doesn't work that way.
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Learning to play with a big amplifier is like trying to control an elephant.
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Playing a Fender is an art itself. They're always going out of tune.
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Stevie Ray Vaughan was very intense. Maybe that's what caught everybody's attention. As a player, he didn't do anything amazing.
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I was impressed by Hendrix. His attitude was brilliant. Even the way he walked was amazing.
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I don't see myself as such an important guitarist.
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The only way you can get good, unless you're a genius, is to copy. That's the best thing. Just steal.
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I found the blues too limiting, and classical was too disciplined.
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I can turn on some jazz guitarist, and he won't do a thing for me, if he's not playing electrically. But Jeff Beck's great to listen to.
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If a ballet dancer falls over, it's knowing how to get out looking clumsy that counts.
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A lot of blues guitarists play with only three fingers, and they can't figure out certain runs that require the use of their little fingers. Classical training is good for that.
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