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I don't see myself as such an important guitarist.

Ritchie Blackmore

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Ritchie Blackmore
Age: 79
Born: 1945
Born: April 14
Guitarist
Songwriter
Weston-super-Mare
Somerset
Richard Hugh Blackmore
00041104344 IPI
00041499477 IPI
Richard Blackmore
Guitarist
Guitar
Important

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I don't play by those rules I'm my own worst enemy sometimes. There's something in me that has to go against the grain. You know, I don't like to be a dead fish, swimming with all the other dead fish, I like to go upstream sometimes, against the flow.
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Stevie Ray Vaughan was very intense. Maybe that's what caught everybody's attention. As a player, he didn't do anything amazing.
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If a ballet dancer falls over, it's knowing how to get out looking clumsy that counts.
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I have never met one person who likes Grand Funk.
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I was impressed by Hendrix. His attitude was brilliant. Even the way he walked was amazing.
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I however don't go to clubs to show off and to be seen, and certainly not to make statements. I just want to be able to quietly watch a band.
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Those record companies don't know what's happening at all.
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I'm not into that Keith Richard trip of having all those guitars in different tunings. I never liked the Rolling Stones much anyway.
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Playing a Fender is an art itself. They're always going out of tune.
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The cello is such a melancholy instrument, such an isolated, miserable instrument.
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In my early days, I never used finger vibrato at all. I originally carved my reputation as one of the 'fast' guitar players.
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I don't use the twang bar anymore. It's become too popular.
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I'm very moved by Renaissance music, but I still love to play hard rock - though only if it's sophisticated and has some thought behind it.
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Johnny Winter is one of the best blues players in the world. He's very underrated.
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I can imagine that Rod Stewart likes giving autographs because he's pure showbusiness.
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When you're recording, if you're not really clean in your playing, it sounds like a mess.
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I was impressed by Hendrix. Not so much by his playing, as his attitude - he wasn't a great player, but everything else about him was brilliant.
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If you can play well in the studio, you can play well on stage.
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Learning to play with a big amplifier is like trying to control an elephant.
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The only way you can get good, unless you're a genius, is to copy. That's the best thing. Just steal.
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