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I think there's nothing worse than inertia. You can inert and study your navel and gradually you'll fall off the chair. I think the key is to keep flying.

Ridley Scott

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Ridley Scott
Age: 86
Born: 1937
Born: November 30
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Sir Ridley Scott
Thinking
Flying
Worse
Keys
Navel
Study
Inert
Fall
Inertia
Keep
Gradually
Nothing
Chair
Think
Chairs

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You don't really know what you're going to get until you're actually in Abbey Road. That's where I did all the music, in The Beatles' place.
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Life isn't black and white. It's a million gray areas, don't you find?
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There's a little thing on your shoulder called intuition and it whispers in your ear. Everyone has that, there is a voice telling you to do something. Most people ignore it - but you must listen to it. I do it every day, all day.
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It's everything and I always make decisions about the cast.
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Usually, when special effects get in the way, it's because the story isn't strong enough. If you don't start with a strong screenplay, it's easy to fall back on special effects, thinking it's going to carry you. But it never works. It's just tiresome.
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But Gladiator is one of my favourite adventures because I really loved going into the world. I loved creating the world to the degree where you could almost smell it.
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Yeah, we're working on Blade Runner 2 right now - that will happen sooner or later.
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Some people like to do everything always the same thing. That's another way: To do the same thing.
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I do like to make films with a political theme, but sometimes it's nice simply to make people laugh. That's the hardest thing to do in fact.
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Nowadays, everything's evolved into superheroes and it's boring. If I see one more superhero movie I'm going to shoot myself.
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In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture.
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I don't ever blink, honestly.
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A hit for me is if I enjoy the movie, if I personally enjoy the movie.
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You step forward and make it real for a start. You choose a sensible moment in history. Funnily enough, England was bankrupt and the moment is the death of Richard The Lionheart... Richard takes an arrow in the neck collecting a small debt from a small castle on his way home from the Crusades because he's penniless.
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It doesn't matter how much faith you have or don't have [in aliens]. I just don't buy the idea that we're alone. There's got to be some form of life out there.
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You've got to be able to know someone really well to be able to have a row and then also walk away from it and not have it matter, especially in this business. That doesn't mean to say we have many rows but I think the nearest thing to a row would be just flatly disagreeing with something .
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I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle.
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Everyone sniggered because I was going to do a sandal and toga movie. But I knew exactly how to do it and I know how to make Robin Hood.
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I think if I'm going to do a science fiction, I'm going to go down a new path that I want to do.
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That's part of the policy: To keep switching gears.
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