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I think there's nothing worse than inertia. You can inert and study your navel and gradually you'll fall off the chair. I think the key is to keep flying.

Ridley Scott

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Ridley Scott
Age: 86
Born: 1937
Born: November 30
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Sir Ridley Scott
Keep
Gradually
Nothing
Chair
Think
Chairs
Thinking
Flying
Worse
Keys
Navel
Study
Inert
Fall
Inertia

More quotes by Ridley Scott

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I'm a moviemaker, not a documentarian. I try to hit the truth.
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I love different themes, different venues, different movies. I love to jump about and tackle different subjects. I have no intellectual master plan.
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You don't really know what you're going to get until you're actually in Abbey Road. That's where I did all the music, in The Beatles' place.
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I was always amazed about how much I could finally squeeze into a thirty second commercial.
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That's part of the policy: To keep switching gears.
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My career seems to be a career of non-specific subjects which are all over the place.
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It goes back a long way. I wanted to make Tristan + Isolde as my second movie. My first movie was The Duellists. And I was standing in a very romantic part of France looking around me thinking, My God, this would be perfect for Tristan, and to cut a long story short it never happened because I did Alien instead.
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But Gladiator is one of my favourite adventures because I really loved going into the world. I loved creating the world to the degree where you could almost smell it.
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You've got to be able to know someone really well to be able to have a row and then also walk away from it and not have it matter, especially in this business. That doesn't mean to say we have many rows but I think the nearest thing to a row would be just flatly disagreeing with something .
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I believe all of us only use one tenth of our brain. I know people who use one per cent only!
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I also love Australian movies. I love Muriel's Wedding - I've seen in six times. Baz Luhrmann's best movie is strictly ballroom... without question.
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When you're doing a big movie, you're gone for 10 months to a year.
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Nowadays, everything's evolved into superheroes and it's boring. If I see one more superhero movie I'm going to shoot myself.
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I spend a lot of my time just developing material or the company does. That material can come from a book, can come from a newspaper, can come from a discussion and sometimes it can come from a script that got passed over and is floating around.
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Good FBI officers are not noticeable. You would never look at them.
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In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture.
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I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle.
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Never be put off by anything because failure teaches you something.
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Usually, when special effects get in the way, it's because the story isn't strong enough. If you don't start with a strong screenplay, it's easy to fall back on special effects, thinking it's going to carry you. But it never works. It's just tiresome.
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Everyone sniggered because I was going to do a sandal and toga movie. But I knew exactly how to do it and I know how to make Robin Hood.
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