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Nowadays, everything's evolved into superheroes and it's boring. If I see one more superhero movie I'm going to shoot myself.

Ridley Scott

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Ridley Scott
Age: 86
Born: 1937
Born: November 30
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Sir Ridley Scott
Going
Evolved
Superhero
Nowadays
Shoot
Boring
Movie
Everything

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Never be put off by anything because failure teaches you something.
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You've got to be able to know someone really well to be able to have a row and then also walk away from it and not have it matter, especially in this business. That doesn't mean to say we have many rows but I think the nearest thing to a row would be just flatly disagreeing with something .
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I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle.
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I think if I'm going to do a science fiction, I'm going to go down a new path that I want to do.
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But Gladiator is one of my favourite adventures because I really loved going into the world. I loved creating the world to the degree where you could almost smell it.
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I do like to make films with a political theme, but sometimes it's nice simply to make people laugh. That's the hardest thing to do in fact.
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I was always amazed about how much I could finally squeeze into a thirty second commercial.
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The time it would take me to write a screenplay it would take me the time to make two films. I would rather make the movies and I'm a better moviemaker than I a would be writer.
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Some people like to do everything always the same thing. That's another way: To do the same thing.
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I love different themes, different venues, different movies. I love to jump about and tackle different subjects. I have no intellectual master plan.
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I don't ever blink, honestly.
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I believe all of us only use one tenth of our brain. I know people who use one per cent only!
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Audiences are less intrigued, honestly, by battle. They're more intrigued by human relations. If you're making a film about the trappings of the period, and you're forgetting that human relationships are the most engaging part of the storytelling process, then you're in trouble.
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I spend a lot of my time just developing material or the company does. That material can come from a book, can come from a newspaper, can come from a discussion and sometimes it can come from a script that got passed over and is floating around.
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I think there's nothing worse than inertia. You can inert and study your navel and gradually you'll fall off the chair. I think the key is to keep flying.
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I think moviemakers are dramatists.
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It's everything and I always make decisions about the cast.
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Good FBI officers are not noticeable. You would never look at them.
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It goes back a long way. I wanted to make Tristan + Isolde as my second movie. My first movie was The Duellists. And I was standing in a very romantic part of France looking around me thinking, My God, this would be perfect for Tristan, and to cut a long story short it never happened because I did Alien instead.
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In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture.
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