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Nowadays, everything's evolved into superheroes and it's boring. If I see one more superhero movie I'm going to shoot myself.

Ridley Scott

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Ridley Scott
Age: 86
Born: 1937
Born: November 30
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Sir Ridley Scott
Everything
Going
Evolved
Superhero
Nowadays
Shoot
Boring
Movie

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The time it would take me to write a screenplay it would take me the time to make two films. I would rather make the movies and I'm a better moviemaker than I a would be writer.
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When you're doing a big movie, you're gone for 10 months to a year.
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Usually, when special effects get in the way, it's because the story isn't strong enough. If you don't start with a strong screenplay, it's easy to fall back on special effects, thinking it's going to carry you. But it never works. It's just tiresome.
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You've got to be able to know someone really well to be able to have a row and then also walk away from it and not have it matter, especially in this business. That doesn't mean to say we have many rows but I think the nearest thing to a row would be just flatly disagreeing with something .
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I also love Australian movies. I love Muriel's Wedding - I've seen in six times. Baz Luhrmann's best movie is strictly ballroom... without question.
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I think moviemakers are dramatists.
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Some people like to do everything always the same thing. That's another way: To do the same thing.
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I love different themes, different venues, different movies. I love to jump about and tackle different subjects. I have no intellectual master plan.
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You step forward and make it real for a start. You choose a sensible moment in history. Funnily enough, England was bankrupt and the moment is the death of Richard The Lionheart... Richard takes an arrow in the neck collecting a small debt from a small castle on his way home from the Crusades because he's penniless.
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Everyone sniggered because I was going to do a sandal and toga movie. But I knew exactly how to do it and I know how to make Robin Hood.
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You don't really know what you're going to get until you're actually in Abbey Road. That's where I did all the music, in The Beatles' place.
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A hit for me is if I enjoy the movie, if I personally enjoy the movie.
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I don't ever blink, honestly.
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It goes back a long way. I wanted to make Tristan + Isolde as my second movie. My first movie was The Duellists. And I was standing in a very romantic part of France looking around me thinking, My God, this would be perfect for Tristan, and to cut a long story short it never happened because I did Alien instead.
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But Gladiator is one of my favourite adventures because I really loved going into the world. I loved creating the world to the degree where you could almost smell it.
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Audiences are less intrigued, honestly, by battle. They're more intrigued by human relations. If you're making a film about the trappings of the period, and you're forgetting that human relationships are the most engaging part of the storytelling process, then you're in trouble.
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I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle.
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My career seems to be a career of non-specific subjects which are all over the place.
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