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But Gladiator is one of my favourite adventures because I really loved going into the world. I loved creating the world to the degree where you could almost smell it.

Ridley Scott

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Ridley Scott
Age: 86
Born: 1937
Born: November 30
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Sir Ridley Scott
Creating
Loved
Gladiator
Almost
Adventures
Going
Favourite
Really
Degree
World
Smell
Adventure
Degrees

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Nowadays, everything's evolved into superheroes and it's boring. If I see one more superhero movie I'm going to shoot myself.
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There's a little thing on your shoulder called intuition and it whispers in your ear. Everyone has that, there is a voice telling you to do something. Most people ignore it - but you must listen to it. I do it every day, all day.
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I was always amazed about how much I could finally squeeze into a thirty second commercial.
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I spend a lot of my time just developing material or the company does. That material can come from a book, can come from a newspaper, can come from a discussion and sometimes it can come from a script that got passed over and is floating around.
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When you're doing a big movie, you're gone for 10 months to a year.
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Never be put off by anything because failure teaches you something.
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I don't ever blink, honestly.
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Some actors - you work with them once and don't even think about working with them again.
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Everyone sniggered because I was going to do a sandal and toga movie. But I knew exactly how to do it and I know how to make Robin Hood.
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It doesn't matter how much faith you have or don't have [in aliens]. I just don't buy the idea that we're alone. There's got to be some form of life out there.
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And I maintain good relationships with all the studios so I've never been bullied into any cut, frankly.
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You've got to be able to know someone really well to be able to have a row and then also walk away from it and not have it matter, especially in this business. That doesn't mean to say we have many rows but I think the nearest thing to a row would be just flatly disagreeing with something .
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Yeah, we're working on Blade Runner 2 right now - that will happen sooner or later.
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You don't really know what you're going to get until you're actually in Abbey Road. That's where I did all the music, in The Beatles' place.
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In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture.
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Good FBI officers are not noticeable. You would never look at them.
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Usually, when special effects get in the way, it's because the story isn't strong enough. If you don't start with a strong screenplay, it's easy to fall back on special effects, thinking it's going to carry you. But it never works. It's just tiresome.
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I think if I'm going to do a science fiction, I'm going to go down a new path that I want to do.
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I think there's nothing worse than inertia. You can inert and study your navel and gradually you'll fall off the chair. I think the key is to keep flying.
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Audiences are less intrigued, honestly, by battle. They're more intrigued by human relations. If you're making a film about the trappings of the period, and you're forgetting that human relationships are the most engaging part of the storytelling process, then you're in trouble.
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