I'm very competitive it's not enough just to have a few number ones. I want to have 200.

I really was kind of like a musical nerd. I would watch VH1's 'Behind The Music.' That was heavy when I was a kid. I would sit up and want to watch that all day instead of going outside sometimes.

I always say this to people: 'If Shaq can be in the NBA for 19 years and dominate for 19 years using his body, why can't I be in the music industry for 50 years using my brain when my brain is way stronger than anyone's body?' I have to have a successful record company, more hit records. I want to dominate the game.

There's a bunch of people who sit around and make excuses for themselves and get upset with artists, but you already know what this is - it's an ego-driven business.

I watch artists say they wrote all these songs and don't mention anybody else who was involved, and that's fine. I don't expect an artist to give me credit. I know that they're gonna take the credit for everything. But, it's my job to give myself that exposure and not make excuses, not grow bitter.

A song is a song and a hit record can change a life.

I really want to work with Rufus Wainwright. Michael Stipe from R.E.M. I would love to work with Kanye West.

Brandy is one of my favorite vocalists. Jay-Z is my favorite emcee outside of Biggie.

I listen to all types of different music. I go to different festivals. I'm around music.

AC/DC, Def Leppard, Alice Cooper - I learned stories of all these guys. That's when I fell in love with Queen, which is one of my favorite bands of all time... I started paying attention to what made music good. I started paying attention to why I liked it.

I do music based upon who I like and who I think has the potential to win. I don't really judge them by Oh somebody is hot right now. If I think the music is dope and I think the potential is there, I want to do it.

I like clever songs. I like songs that make people think and I try to have substance in all my records, even with 'Sweet Dreams' how it was a club record and it was up tempo, but it was melodic and it was, like, lyrical.

You're put in certain situations and it kind of opens up those doors and it opens up your eyes to realize what your true calling was.