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I suppose that the sympathetic/unsympathetic debate about characters sometimes feels to me like a misstatement of purpose. I always think of truly complex characters are falling between the cracks in that debate.

Rick Moody

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Rick Moody
Age: 63
Born: 1961
Born: October 18
Novelist
Science Fiction Writer
Writer
New York City
New York
Hiram Frederick III Moody
Hiram Frederick Moody III
Sometimes
Falling
Feels
Suppose
Always
Debate
Think
Characters
Unsympathetic
Thinking
Truly
Sympathetic
Like
Purpose
Cracks
Fall
Complexes
Character
Complex

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I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. I like a first-person narrator who can't totally be trusted.
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In general, each form is a relief from the other forms. I can't write a novel after a novel. I just use up all the material each time, and I need to rest.
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There’s something really rich and powerful in not talking about what you need to talk about sometimes.
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Impotence, fetishism, bisexuality, and bondage are all facts of life, and our fiction should reflect that.
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I love comic books and always did as a kid.
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I do think that just about whenever I am writing, or more accurately, whenever I have written, I feel better and more at peace as a human being. That doesn't mean, unfortunately, that the literary product is any good.
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It turns out that my memory is just not that great, so for specific scenes with people doing stuff, sometimes I'd have the details all wrong or I couldn't remember what happened exactly, so I just let that be.
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I sort of hate the novel when it doesn't push, restlessly, against the tradition and the traditional.
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I made this list of stuff that it's time for me to try to do.
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I have admired Melissa Pritchard's writing for several years now for its wisdom, its humble elegance, and its earthy comedy.
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I turned forty, and Im finally going to get married and maybe have a kid.
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I believe that God locates himself at the spot where you recognize your own fallibility....And the paradox of it all has been that whenever I give up I seem to do better.
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I am in Boston right now, in fact, to do work at the New England Historical Genealogical Library, where I'm trying to finish up tracing my lineage back to the seventeenth century.
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I think people on antidepressants often lose sexual feelings. I don't mean that I think sex is only about sadness it is obviously about joy and vitality and birth as well.
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Tangled in one another's arms and nine times out of ten the things you think about a person make it impossible to touch them.
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It's also true, however, that having conquered the regional writer ghetto, I am now intent on conquering the nationalist writer ghetto and moving out into the world more.
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I published a bunch of my older books in e-book format with Open Road, which is great and has tons of hard to find older books available there.
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I am a better writer for having fewer demons, and I am more curious about the world and the people in it. So those of you thinking you might need your demons in order to be creative: I beg to differ.
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I'm not the guy to ask about the most up to date stuff.
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But that incessant drive to be out there in the literary universe that was important to me when I was in my twenties, like going to a Paris Review party or whatever, that seems totally irrelevant now.
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