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I am in Boston right now, in fact, to do work at the New England Historical Genealogical Library, where I'm trying to finish up tracing my lineage back to the seventeenth century.

Rick Moody

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Rick Moody
Age: 63
Born: 1961
Born: October 18
Novelist
Science Fiction Writer
Writer
New York City
New York
Hiram Frederick III Moody
Hiram Frederick Moody III
Right
Finish
Trying
Library
Work
Historical
Genealogical
England
Seventeenth
Century
Fact
Tracing
Facts
Lineage
Back
Boston

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Tangled in one another's arms and nine times out of ten the things you think about a person make it impossible to touch them.
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I made this list of stuff that it's time for me to try to do.
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In general, each form is a relief from the other forms. I can't write a novel after a novel. I just use up all the material each time, and I need to rest.
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Maybe when I'm sixty-five I'll talk about my literary life.
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I love comic books and always did as a kid.
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I have admired Melissa Pritchard's writing for several years now for its wisdom, its humble elegance, and its earthy comedy.
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I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. I like a first-person narrator who can't totally be trusted.
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My contention is that that style is just as stylized as an ornate style.
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There’s something really rich and powerful in not talking about what you need to talk about sometimes.
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Impotence, fetishism, bisexuality, and bondage are all facts of life, and our fiction should reflect that.
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I do think that just about whenever I am writing, or more accurately, whenever I have written, I feel better and more at peace as a human being. That doesn't mean, unfortunately, that the literary product is any good.
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I think literature is best when it's voicing what we would prefer not to talk about.
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I am a better writer for having fewer demons, and I am more curious about the world and the people in it. So those of you thinking you might need your demons in order to be creative: I beg to differ.
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The idea to make hotel reviews the form of the novel came first. So I just started writing hotel reviews and tried to come up with a consistent voice.
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I suppose that the sympathetic/unsympathetic debate about characters sometimes feels to me like a misstatement of purpose. I always think of truly complex characters are falling between the cracks in that debate.
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But that incessant drive to be out there in the literary universe that was important to me when I was in my twenties, like going to a Paris Review party or whatever, that seems totally irrelevant now.
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I'm trying to read more dead people because I keep having to read stuff for juries and so forth.
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I sort of hate the novel when it doesn't push, restlessly, against the tradition and the traditional.
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I'm not the guy to ask about the most up to date stuff.
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I have sparred with commenters as a music writer (on The Rumpus, among other places, see e.g., my review about Taylor Swift), and that was plenty of training!
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