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It's also true, however, that having conquered the regional writer ghetto, I am now intent on conquering the nationalist writer ghetto and moving out into the world more.

Rick Moody

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Rick Moody
Age: 63
Born: 1961
Born: October 18
Novelist
Science Fiction Writer
Writer
New York City
New York
Hiram Frederick III Moody
Hiram Frederick Moody III
Writer
Nationalist
Moving
Conquering
True
Regional
Also
Conquered
World
Ghetto
Intent
Conquer
However

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Tangled in one another's arms and nine times out of ten the things you think about a person make it impossible to touch them.
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In general, each form is a relief from the other forms. I can't write a novel after a novel. I just use up all the material each time, and I need to rest.
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I read a lot of 'The Canterbury Tales' on my phone last year, because I was cycling between three different editions, and I needed to have a middle-of-the-night edition for the insomniac reading.
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My contention is that that style is just as stylized as an ornate style.
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I believe that God locates himself at the spot where you recognize your own fallibility....And the paradox of it all has been that whenever I give up I seem to do better.
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I made this list of stuff that it's time for me to try to do.
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I am in Boston right now, in fact, to do work at the New England Historical Genealogical Library, where I'm trying to finish up tracing my lineage back to the seventeenth century.
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Maybe when I'm sixty-five I'll talk about my literary life.
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The idea to make hotel reviews the form of the novel came first. So I just started writing hotel reviews and tried to come up with a consistent voice.
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I have admired Melissa Pritchard's writing for several years now for its wisdom, its humble elegance, and its earthy comedy.
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But that incessant drive to be out there in the literary universe that was important to me when I was in my twenties, like going to a Paris Review party or whatever, that seems totally irrelevant now.
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I think literature is best when it's voicing what we would prefer not to talk about.
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It turns out that my memory is just not that great, so for specific scenes with people doing stuff, sometimes I'd have the details all wrong or I couldn't remember what happened exactly, so I just let that be.
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I suppose that the sympathetic/unsympathetic debate about characters sometimes feels to me like a misstatement of purpose. I always think of truly complex characters are falling between the cracks in that debate.
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I turned forty, and Im finally going to get married and maybe have a kid.
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I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. I like a first-person narrator who can't totally be trusted.
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I'm not the guy to ask about the most up to date stuff.
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I am a better writer for having fewer demons, and I am more curious about the world and the people in it. So those of you thinking you might need your demons in order to be creative: I beg to differ.
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I do think that just about whenever I am writing, or more accurately, whenever I have written, I feel better and more at peace as a human being. That doesn't mean, unfortunately, that the literary product is any good.
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There’s something really rich and powerful in not talking about what you need to talk about sometimes.
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