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Where was the middle ground between a sense of adventure and just plain sense?

Richard Russo

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Richard Russo
Age: 75
Born: 1949
Born: July 15
Novelist
Screenwriter
Writer
Johnstown
New York
Plain
Adventure
Ground
Middle
Sense

More quotes by Richard Russo

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What if all everybody needed in the world was to be sure of one friend? What if you were the one, and you refused to say those simple words?
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To his surprise, she leaned over and kissed him on the forehead, a kiss so full of affection that it dispelled the awkwardness, even as it caused Miles' heart to plummet, because all kisses are calibrated, and this one revealed the great chasm between affection and love.
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I want that which is hilarious and that which is heartbreaking to occupy the same territory in the book because I think they very often occupy the same territory in life, much as we try to separate them.
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Go to it. Be bold. Be true. Be kind. Rotate your tires. Don't drink so much. There aren't going to be enough liver transplants to go around.
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Steve Yarbrough's Safe from the Neighbors will take your breath away. Ambitious, funny, sad, smart, and beautifully crafted, it's everything a novel should be.
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People sometimes get in the habit of being loyal to a mistake.
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I'm delighted by how Nobody's Fool turned out. It was a rare movie.
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There are a great many sins in this world, none of them original.
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Which is why we have spouses and children and parents and colleagues and friends, because someone has to know us better than we know ourselves. We need them to tell us. We need them to say, I know you, Al. You are not the kind of man who.
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By ignoring a lot of American culture you can write more interesting stories. Unfortunately, if you were writing about America as it is, you'd be writing about a lot of people sitting in front of television sets.
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Was anything in the world truer than that intuitive leap of the heart?
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Some authors have a very hard time understanding that in order to be faithful to the spirit of the book, it's almost always impossible to remain faithful to the text. You have to make changes.
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When I start getting close to the end of a novel, something registers in the back of my mind for the next novel, so that I usually don't write, or take notes. And I certainly don't begin. I just allow things to percolate for a while.
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When authors who write literary fiction begin to write screenplays, everybody assumes that's the end. Here's another who's never going to write well again.
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Odd that the future should be so difficult to bring into focus when the past, uninvited, offered itself up so easily for inspection.
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To weigh and evaluate a vast grid of information, much of it meaningless, and to arrive at sensible, if erroneous, conclusions, is a skill not to be sneezed at.
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After all, what was the whole wide world but a place for people to yearn for their heart's impossible desires, for those desires to become entrenched in defiance of logic, plausibility, and even the passage of time, as eternal as polished marble.
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A couple years ago, the novelist Russell Banks told me he was reading the ancient Greek historian Herodotus. I asked why. He said, 'Because I've always wanted to and am tired of having my reading assigned.' I thought it was a marvelous declaration of independence.
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To expect reason is where the fallacy lies.
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I don't think there's a shortage of material in the world. Or in my head. I just pray for continued good health, because I've got other stories to tell.
Richard Russo