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It's possible to overlook character flaws of in-laws for the simple reason that you feel neither responsible for them nor genetically implicated.

Richard Russo

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Richard Russo
Age: 75
Born: 1949
Born: July 15
Novelist
Screenwriter
Writer
Johnstown
New York
Character
Overlook
Reason
Flaws
Feel
Neither
Feels
Laws
Responsible
Possible
Law
Implicated
Simple
Genetically

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People who imagine themselves to be self-made seldom enjoy examining the process of manufacture in detail.
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... Baggott enjoys living on the knife edge between hilarity and heartbreak and that makes her a writer after my own heart.
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If there's an enduring theme in my work, it's probably the effects of class on American life.
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Movies have to handle time very efficiently. They're about stringing scenes together in the present. Novels aren't necessarily about that.
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People sometimes get in the habit of being loyal to a mistake.
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I've never written nearly as much about place as people seem to think I do. I just write about class.
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I want that which is hilarious and that which is heartbreaking to occupy the same territory in the book because I think they very often occupy the same territory in life, much as we try to separate them.
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You just kind of have faith. If that sounds kind of mystical, it's because I really don't know how it works, but I trust that it does. I try to write the way I read, in order to find out what happens next.
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Structure is one of the things that I always hope will reveal itself to me.
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At the risk of appearing disingenuous, I don't really think of myself as 'writing humor.' I'm simply reporting on the world I observe, which is frequently hilarious.
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A couple years ago, the novelist Russell Banks told me he was reading the ancient Greek historian Herodotus. I asked why. He said, 'Because I've always wanted to and am tired of having my reading assigned.' I thought it was a marvelous declaration of independence.
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He looks like he could be taken in a fight. Not by me, but by somebody. Not anyone in Humanities, probably.
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When I start getting close to the end of a novel, something registers in the back of my mind for the next novel, so that I usually don't write, or take notes. And I certainly don't begin. I just allow things to percolate for a while.
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Worse, I have to admit to feeling the jealousy of one crab for another that has managed to climb out of the barrel.
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I don't think there's a shortage of material in the world. Or in my head. I just pray for continued good health, because I've got other stories to tell.
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To weigh and evaluate a vast grid of information, much of it meaningless, and to arrive at sensible, if erroneous, conclusions, is a skill not to be sneezed at.
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Bookstores, like libraries, are the physical manifestation of the wide world's longest, most thrilling conversation.
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One of the odd things about middle age, he concluded, was the strange decisions a man discovers he's made by not really making them, like allowing friends to drift away through simple neglect.
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Steve Yarbrough's Safe from the Neighbors will take your breath away. Ambitious, funny, sad, smart, and beautifully crafted, it's everything a novel should be.
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Odd that the future should be so difficult to bring into focus when the past, uninvited, offered itself up so easily for inspection.
Richard Russo