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In the end it all came down to companionship, to friendship, to sacrifice, to compromise.

Richard Russo

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Richard Russo
Age: 75
Born: 1949
Born: July 15
Novelist
Screenwriter
Writer
Johnstown
New York
Ends
Companionship
Compromise
Friendship
Sacrifice
Came

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Why mince words? Beautiful Ruins is an absolute masterpiece.
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Who but an English professor would threaten to kill a duck a day and hold up a goose as an example?
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Go to it. Be bold. Be true. Be kind. Rotate your tires. Don't drink so much. There aren't going to be enough liver transplants to go around.
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I've never written nearly as much about place as people seem to think I do. I just write about class.
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The other possibility was that there was no right thing to say, that the choice wasn't between right and wrong but between wrong, more wrong, and as wrong as you can get.
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America has always been a nation of small places, and as we lose them, we're losing part of ourselves.
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Steve Yarbrough's Safe from the Neighbors will take your breath away. Ambitious, funny, sad, smart, and beautifully crafted, it's everything a novel should be.
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I can be glib and truthful all at once.
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Worse, I have to admit to feeling the jealousy of one crab for another that has managed to climb out of the barrel.
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People sometimes get in the habit of being loyal to a mistake.
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People who imagine themselves to be self-made seldom enjoy examining the process of manufacture in detail.
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Whatever you're working on, take small bites. The task will not be overwhelming if you can reduce it to its smallest component.
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I was the one who did come through that door. You were the one she was waiting for.
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At the risk of appearing disingenuous, I don't really think of myself as 'writing humor.' I'm simply reporting on the world I observe, which is frequently hilarious.
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... Baggott enjoys living on the knife edge between hilarity and heartbreak and that makes her a writer after my own heart.
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If there's an enduring theme in my work, it's probably the effects of class on American life.
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I get and read an enormous number of first novels.
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There are a great many sins in this world, none of them original.
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When I start getting close to the end of a novel, something registers in the back of my mind for the next novel, so that I usually don't write, or take notes. And I certainly don't begin. I just allow things to percolate for a while.
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Was anything in the world truer than that intuitive leap of the heart?
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