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As the industry has matured, real estate has become a very accepted investment. Institutions have used core investments to get comfortable with real estate as an asset class, and now that they're comfortable they're moving up the risk spectrum.

Richard Price

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Richard Price
Age: 75
Born: 1949
Born: October 12
Actor
Film Producer
Novelist
Screenwriter
Writer
The Bronx
New York City
Harry Brandt
Moving
Accepted
Matured
Become
Core
Investments
Used
Institutions
Asset
Real
Comfort
Estate
Comfortable
Estates
Industry
Spectrum
Risk
Assets
Class
Investment

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You can't take a character anywhere they don't expect the character to go. But within those confines is where creativity lies
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I don't need all that much - I just need to know who my characters are and what kind of jam they're going to get into, and I'll write myself out of their jam.
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You don't write about the horrors of war. No. You write about a kid's burnt socks lying in the road.
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I have offices all over the place and I avoid work everywhere. I don't like to write - I like to be finished.
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Tremble, all ye oppressors of the world!
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The more I hung out with detective squads, the more there was always one guy or two guys or a woman who had a case that they were the primary on years ago, it was never solved, and they take that case into their retirements.
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The bigger the issue, the smaller you write. Remember that. You don't write about the horrors of war. No. You write about a kid's burnt socks lying on the road. You pick the smallest manageable part of the big thing, and you work off the resonance.
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I'd love to be a saxophonist. I don't know why, but I pretend I'm the saxophonist when I listen to music. I have about as much chance playing the sax as I do learning how to fly.
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I do small cameos here and there but nothing that requires more than a paragraph of talking, because I'm just an amateur. The movie is a whole different reality.
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I write because I can't imagine not writing.
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The first thing to look out for after your first big success are drugs and screenplays.
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I started thinking about my relationship with my students I'm this guy who comes in from book - and movie - land and descends on angel wings into their classroom.
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The bigger the issue, the smaller you write.
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I can never read this book, just like I can never see a movie that I wrote a screenplay for. I can read it and see it physically, but I can't accurately judge it. I'm too close to it. If I read it ten times I'll have ten different reactions.
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