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My dream has always been to suspend myself in space when I write, and lying horizontal in bed is the closest to doing that.

Richard Powers

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Richard Powers
Age: 67
Born: 1957
Born: June 18
Novelist
Science Fiction Writer
Writer
Evanston
Illinois
Always
Horizontal
Closest
Bed
Space
Lying
Write
Dream
Writing
Suspend

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Only white men have the luxury of ignoring race.
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I write the way you might arrange flowers. Not every try works, but each one launches another. Every constraint, even dullness, frees up a new design.
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The use of music is to remind us how short a time we have a body.
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Everything interests me.
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The web: yet another total disorientation that becomes status quo without anyone realizing it.
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All we can ever do is lay a word in the hands of those who have put one in ours.
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I'd like, each time out as a writer, to reinvent who I am and what I'm doing. That's one of the great pleasures and rewards of the occupation.
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The Midwest is such a tabula rasa.
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My goal for technology has always been to reach a point where the technological mediation becomes invisible.
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The desire to live in our imagination is driven by this suspicion that we're disembodied sensibilities cobbled into our bodies. That idea has infused most of human thought since the very beginning.
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Maybe happiness is like a virus. Maybe it's one of those bugs that sits for a long time, so we don't even know that we are infected.
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We will live with racism for ever. But senses of self, senses of belonging, senses of us and of others? Those are up for grabs.
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The oldest principle of composition: repeat everything.
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Evil is the refusal to see one's self in others.
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I used to work for 12 or 14 hours at a time but the digital age has made such happy immersions almost impossible.
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We don't consider the roles that we're taking in making the world the way it is.
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Out of grad school, I worked as a tech writer for a while before going into computer coding for a living.
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Librarian is a service occupation. Gas station attendant of the mind.
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I think that if the novel's task is to describe where we find ourselves and how we live now, the novelist must take a good, hard look at the most central facts of contemporary life - technology and science.
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