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I think that if the novel's task is to describe where we find ourselves and how we live now, the novelist must take a good, hard look at the most central facts of contemporary life - technology and science.

Richard Powers

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Richard Powers
Age: 67
Born: 1957
Born: June 18
Novelist
Science Fiction Writer
Writer
Evanston
Illinois
Life
Look
Task
Looks
Tasks
Take
Novel
Hard
Technology
Novelist
Must
Science
Novelists
Good
Facts
Describe
Think
Find
Central
Thinking
Live
Contemporary

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My dream has always been to suspend myself in space when I write, and lying horizontal in bed is the closest to doing that.
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We will live with racism for ever. But senses of self, senses of belonging, senses of us and of others? Those are up for grabs.
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Everything interests me.
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I write the way you might arrange flowers. Not every try works, but each one launches another. Every constraint, even dullness, frees up a new design.
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Only white men have the luxury of ignoring race.
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I like to travel and connect.
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This idea that a book can either be about character and feeling, or about politics and idea, is just a false binary. Ideas are an expression of the feelings and the intense emotions we hold about the world.
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Librarian is a service occupation. Gas station attendant of the mind.
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For me, university was just awful because it was closing one door after the other of all these candy shops of professional possibilities.
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I'd like, each time out as a writer, to reinvent who I am and what I'm doing. That's one of the great pleasures and rewards of the occupation.
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My goal for technology has always been to reach a point where the technological mediation becomes invisible.
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Out of grad school, I worked as a tech writer for a while before going into computer coding for a living.
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We don't consider the roles that we're taking in making the world the way it is.
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The web: yet another total disorientation that becomes status quo without anyone realizing it.
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The Midwest is such a tabula rasa.
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The desire to live in our imagination is driven by this suspicion that we're disembodied sensibilities cobbled into our bodies. That idea has infused most of human thought since the very beginning.
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The oldest principle of composition: repeat everything.
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I used to work for 12 or 14 hours at a time but the digital age has made such happy immersions almost impossible.
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Maybe happiness is like a virus. Maybe it's one of those bugs that sits for a long time, so we don't even know that we are infected.
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All we can ever do is lay a word in the hands of those who have put one in ours.
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