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I think that if the novel's task is to describe where we find ourselves and how we live now, the novelist must take a good, hard look at the most central facts of contemporary life - technology and science.
Richard Powers
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Richard Powers
Age: 67
Born: 1957
Born: June 18
Novelist
Science Fiction Writer
Writer
Evanston
Illinois
Life
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Technology
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The oldest principle of composition: repeat everything.
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Everything interests me.
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The thing that makes reading and writing suspect in the eyes of the market economy is that it's not corrupted.
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This idea that a book can either be about character and feeling, or about politics and idea, is just a false binary. Ideas are an expression of the feelings and the intense emotions we hold about the world.
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All we can ever do is lay a word in the hands of those who have put one in ours.
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Only white men have the luxury of ignoring race.
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For me, university was just awful because it was closing one door after the other of all these candy shops of professional possibilities.
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The use of music is to remind us how short a time we have a body.
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I like to travel and connect.
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The Midwest is such a tabula rasa.
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The desire to live in our imagination is driven by this suspicion that we're disembodied sensibilities cobbled into our bodies. That idea has infused most of human thought since the very beginning.
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We don't consider the roles that we're taking in making the world the way it is.
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Librarian is a service occupation. Gas station attendant of the mind.
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I'd like, each time out as a writer, to reinvent who I am and what I'm doing. That's one of the great pleasures and rewards of the occupation.
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We will live with racism for ever. But senses of self, senses of belonging, senses of us and of others? Those are up for grabs.
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My dream has always been to suspend myself in space when I write, and lying horizontal in bed is the closest to doing that.
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I used to work for 12 or 14 hours at a time but the digital age has made such happy immersions almost impossible.
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Evil is the refusal to see one's self in others.
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I write the way you might arrange flowers. Not every try works, but each one launches another. Every constraint, even dullness, frees up a new design.
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