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For me, university was just awful because it was closing one door after the other of all these candy shops of professional possibilities.

Richard Powers

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Richard Powers
Age: 67
Born: 1957
Born: June 18
Novelist
Science Fiction Writer
Writer
Evanston
Illinois
Shops
Possibilities
Professional
Awful
University
Door
Possibility
Closing
Doors
Candy

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I used to work for 12 or 14 hours at a time but the digital age has made such happy immersions almost impossible.
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Out of grad school, I worked as a tech writer for a while before going into computer coding for a living.
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All we can ever do is lay a word in the hands of those who have put one in ours.
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I like to travel and connect.
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Librarian is a service occupation. Gas station attendant of the mind.
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We don't consider the roles that we're taking in making the world the way it is.
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Maybe happiness is like a virus. Maybe it's one of those bugs that sits for a long time, so we don't even know that we are infected.
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Everything interests me.
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My dream has always been to suspend myself in space when I write, and lying horizontal in bed is the closest to doing that.
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The web: yet another total disorientation that becomes status quo without anyone realizing it.
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The Midwest is such a tabula rasa.
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Only white men have the luxury of ignoring race.
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The use of music is to remind us how short a time we have a body.
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We will live with racism for ever. But senses of self, senses of belonging, senses of us and of others? Those are up for grabs.
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The oldest principle of composition: repeat everything.
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My goal for technology has always been to reach a point where the technological mediation becomes invisible.
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The desire to live in our imagination is driven by this suspicion that we're disembodied sensibilities cobbled into our bodies. That idea has infused most of human thought since the very beginning.
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I think that if the novel's task is to describe where we find ourselves and how we live now, the novelist must take a good, hard look at the most central facts of contemporary life - technology and science.
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I write the way you might arrange flowers. Not every try works, but each one launches another. Every constraint, even dullness, frees up a new design.
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The thing that makes reading and writing suspect in the eyes of the market economy is that it's not corrupted.
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