With a live performance, you feel nervous because there's a sense it could do well or badly based on how well you are performing, whereas the only variable with a film premiere is technical, which invariably you have very little control over, whether the sound is good, whether the acoustics of the room are good.

I only ever privately tell people stuff for the scene. And I often ask what they feel is right. Normally, by the time that we're filming, if it doesn't work, it always the script.

Why have a pet hate? Why should it be confined? My hate is both wide ranging and total.

I think people have the capacity to be many different things and many seemingly contradictory behaviors.

Cars are good for entrances and exits. And there is something about driving that is quite cliched in a funny way. I like Roy Orbison's video for I Drove All Night because it's so literal. It is just a man driving throughout the night. I like that silliness. To be in a video is a ridiculous thing. It's almost impossible to do it without any humour.

I've always felt that actors in my experience have a very good and accurate instinct about whether something feels right or not. They just have a sense because they have to literally do it.

To be in a video is a ridiculous thing. It's almost impossible to do it without any humour

I try to write every day. Sometimes the things come out well, and sometimes they don't. When they come out well you think, Wow, I must be really great and when they come out poorly, you think you must be terrible, but the truth is that's how any process works.

I'm just terrible. At talking. With words.

I'm pretty bad at seeing new films.

No. I really don't think I'm cool. I'm not.