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Sometimes I think all my pictures are just pictures of me. My concern is...the human predicament only what I consider the human predicament may simply be my own.

Richard Avedon

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Richard Avedon
Age: 81 †
Born: 1923
Born: May 15
Died: 2004
Died: October 1
Designer
Fashion Photographer
Photographer
New York City
New York
May
Predicament
Human
Predicaments
Humans
Pictures
Sometimes
Photographer
Think
Consider
Thinking
Concern
Photography
Simply

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i think charm is the ability to be truly interested in other people
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I always prefer to work in the studio. It isolates people from their environment
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I am always stimulated by people. Almost never by ideas.
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The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion.
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I can see myself as a very old man in a terrific wheelchair. Only, I won't be photographing the tree outside my window, the way Steichen did. I'll be photographing other old people.
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I see pictures of myself and I always knew that what I was feeling didn't look like that guy in the pictures.
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People — running from unhappiness, hiding in power — are locked within their reputations, ambitions, beliefs.
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A portrait isn't a fact but an opinion - an occasion rather than a truth.
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You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. You can only get beyond the surface by working with the surface. All that you can do is manipulate that surface - gesture, costume, expression - radically and correctly.
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Faces are the ledgers of our experience.
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A photographic portrait is a picture of someone who knows he is being photographed
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How many pictures have you torn up because you hate them? What ends up in your scrapbook? The pictures where you look like a good guy and a good family man, and the children look adorable - and they're screaming the next minute. I've never seen a family album of screaming people.
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Just advertising departments with legs and high heels.
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The way someone who's being photographed presents himself to the camera, and the effect of the photographer's response on that presence, is what the making of a portrait is all about.
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Real people move, they bear with them the element of time. It is this fourth dimension of people that I try to capture in a photograph.
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My photographs don't go below the surface. They don't go below anything. They're readings of the surface. I have great faith in surfaces. A good one is full of clues.
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To be an artist, you have to nurture the things that most people discard.
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We all perform. It's what we do for each other all the time, deliberately or unintionally. It's a way of telling about ourselves in the hope of being recognized as what we'd like to be.--PERFORMANCE
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Start with a style and you are in chains, start with an idea and you are free.
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He sleeps fastest who sleeps alone.
Richard Avedon