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The reason that some singers go on to become great artists has very little to do with their voices, but rather with the fact that they have used their instruments as tools for detailed communication.

Renee Fleming

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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Become
Artists
Used
Tools
Littles
Communication
Reason
Rather
Little
Fact
Detailed
Great
Voice
Voices
Artist
Singers
Facts
Instruments

More quotes by Renee Fleming

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Every singer eventually gets around to a Christmas disc.
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I want to get out of the major opera houses.
Renee Fleming
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We are unique, each human voice, not because we are completely self-generated, but because of who we choose to assemble the countless factors that made us.
Renee Fleming
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My mother was the worst kind of stage mother. She would make me and my younger sister and brother little duckling costumes and put us in kiddie shows.
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For years, I had no time for exploratory travel.
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Perfection often creates such a flawless surface that there's no place for the audience to enter into a piece, while the idiosyncrasies of individual style are like windows into the singer's heart.
Renee Fleming
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I haven't really been able to transfer into that extraordinarily other worldly creature, other than I hope on stage.
Renee Fleming
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With classical singing you have to put out so much air - you project, you emit force.
Renee Fleming
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A lot of bad behavior in singers is caused by nerves.
Renee Fleming
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Well, any time Im preparing for a performance or even a rehearsal, its as if in a way, like any other athletes, these are muscles that support the vocal cords which are just I believe cartilage. It demands a kind of constant warming up and a constant feeling of where is the voice today.
Renee Fleming
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At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.
Renee Fleming
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I enjoy the more floaty, exposed, elegant singing.
Renee Fleming
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Among the important realizations I had in my own days in the practice room was that if any one route to any one phrase didn't work after days of trying, then the exact opposite route should at least be explored, as well as every alternative in between, as counterintuitive as that often seemed.
Renee Fleming
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There's no performance where I never have to think about setting up a phrase or making a technical adjustment while I'm performing.
Renee Fleming
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Your brain has a music room, and evolution would not have gone to the trouble of designing that if it didn't have some benefits. So, that suggests to me that we and our ancestors have had music as a central part of our experience for eons. And we're just beginning to understand how that might be. I think that's fascinating.
Renee Fleming
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A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
Renee Fleming
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I don't like to sing loud.
Renee Fleming
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The student's job is to stay open-minded, to quell the knee-jerk defensiveness we all possess in the face of suggestions for improvement, and to maintain patience when faced with a process that is often slow, confusing, and frustrating.
Renee Fleming
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We sing with the entire body. The sounds that we make emanate not just from the head, but from the whole heart and soul, and, most important, the gut.
Renee Fleming
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In a way, being an opera singer is like being a very romantic sixteen-year-old who falls in love with great passion and conviction every month.
Renee Fleming