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The reason that some singers go on to become great artists has very little to do with their voices, but rather with the fact that they have used their instruments as tools for detailed communication.
Renee Fleming
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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Used
Tools
Littles
Communication
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Rather
Little
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Detailed
Great
Voice
Voices
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Singers
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Artists
More quotes by Renee Fleming
Perfection often creates such a flawless surface that there's no place for the audience to enter into a piece, while the idiosyncrasies of individual style are like windows into the singer's heart.
Renee Fleming
I have a noble history of being rejected by a lot of places, only to discover that the one that finally lets me in is in fact the perfect fit.
Renee Fleming
We are unique, each human voice, not because we are completely self-generated, but because of who we choose to assemble the countless factors that made us.
Renee Fleming
So much can be gained from watching other singers, seeing what they do and what they don't do, seeing how they look when they breathe, how wide they open their mouths for a high note.
Renee Fleming
I'm reserved, so I've always needed to find a way of opening up. Jazz helped me do that.
Renee Fleming
I don't like to sing loud.
Renee Fleming
Contrary to the norm, as my technique improved my voice became higher.
Renee Fleming
With classical singing you have to put out so much air - you project, you emit force.
Renee Fleming
It is our responsibility to learn how to speak to an audience that is less informed about music, to give it a reason to want to come and see us instead of going to the movies.
Renee Fleming
The student's job is to stay open-minded, to quell the knee-jerk defensiveness we all possess in the face of suggestions for improvement, and to maintain patience when faced with a process that is often slow, confusing, and frustrating.
Renee Fleming
Everybody's a work in progress. I'm a work in progress. I mean, I've never arrived. I'm still learning all the time.
Renee Fleming
A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
Renee Fleming
I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that.
Renee Fleming
I have had a very difficult time with stage fright it undermines your well-being and peace of mind, and it can also threaten your livelihood.
Renee Fleming
I want to get out of the major opera houses.
Renee Fleming
I was always a very good student.
Renee Fleming
At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.
Renee Fleming
My whole career I played these girls sort of 18 to 23.
Renee Fleming
I think singing is one of the most natural things that human beings do, but it's difficult.
Renee Fleming
There's no performance where I never have to think about setting up a phrase or making a technical adjustment while I'm performing.
Renee Fleming