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I want to get out of the major opera houses.
Renee Fleming
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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Houses
Opera
Majors
Major
House
More quotes by Renee Fleming
The student's job is to stay open-minded, to quell the knee-jerk defensiveness we all possess in the face of suggestions for improvement, and to maintain patience when faced with a process that is often slow, confusing, and frustrating.
Renee Fleming
Well, any time Im preparing for a performance or even a rehearsal, its as if in a way, like any other athletes, these are muscles that support the vocal cords which are just I believe cartilage. It demands a kind of constant warming up and a constant feeling of where is the voice today.
Renee Fleming
I think singing is one of the most natural things that human beings do, but it's difficult.
Renee Fleming
While it's a fact that a voice begins with natural talent, any talent must be nurtured, cajoled, wrestled with pampered, challenged, and, at every turn, examined.
Renee Fleming
I have a certain image that's more classic, and I'm happy to stay out of the fray.
Renee Fleming
A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
Renee Fleming
The first thing I did when I made a little bit of money as a singer was to buy myself an amber necklace. This is often the way we put together our lives, adding the striking qualities of others into our own character.
Renee Fleming
I have a noble history of being rejected by a lot of places, only to discover that the one that finally lets me in is in fact the perfect fit.
Renee Fleming
Someone once said that there are probably seven naturally good singing days in a year-and those are days you won't be booked. What we must learn is how to sing through all the other days.
Renee Fleming
I was always a very good student.
Renee Fleming
I enjoy the more floaty, exposed, elegant singing.
Renee Fleming
Among the important realizations I had in my own days in the practice room was that if any one route to any one phrase didn't work after days of trying, then the exact opposite route should at least be explored, as well as every alternative in between, as counterintuitive as that often seemed.
Renee Fleming
I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that.
Renee Fleming
My whole career I played these girls sort of 18 to 23.
Renee Fleming
I don't like to sing loud.
Renee Fleming
When I sing, the sound is a totally different range, color, all of it. It's all about the breath. You take in a breath and you make a sound.
Renee Fleming
Your brain has a music room, and evolution would not have gone to the trouble of designing that if it didn't have some benefits. So, that suggests to me that we and our ancestors have had music as a central part of our experience for eons. And we're just beginning to understand how that might be. I think that's fascinating.
Renee Fleming
One of my timesaving habits is to save all of my magazines and junk mail for airplane trips. I walk on the plane with a very heavy bundle, but by the time the trip is over, it can all be thrown away.
Renee Fleming
I've spent hours and hours doing research into Appalachian folk music. My grandfather was a fiddler. There is something very immediate, very simple and emotional, about that music.
Renee Fleming
Singers can also get away with a lot based on youth, strength and enthusiasm, only to find ten years later that what was once just a niggling problem has brought their careers to an end.
Renee Fleming