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I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that.

Renee Fleming

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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Singers
Mode
Ideal
Pushed
Ideals
Reject
Constantly
Classical
Toward
Rejects
Means
Singer
Mean
Opera
European

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I have had a very difficult time with stage fright it undermines your well-being and peace of mind, and it can also threaten your livelihood.
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Every singer eventually gets around to a Christmas disc.
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I haven't really been able to transfer into that extraordinarily other worldly creature, other than I hope on stage.
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I think singing is one of the most natural things that human beings do, but it's difficult.
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While it's a fact that a voice begins with natural talent, any talent must be nurtured, cajoled, wrestled with pampered, challenged, and, at every turn, examined.
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I cannot imagine a more satisfying calling than my own: beauty, humanity, and history every day, combined with the cathartic joy of singing.
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I have not changed with the accomplishments. I've remained the same. If I had changed, great. You know, but I haven't.
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I don't want to record anything unless it can be great and genuinely interesting.
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I listen to archival and historic recordings. I love watching singers. I learned a lot from watching videos.
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My whole career I played these girls sort of 18 to 23.
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My mother was the worst kind of stage mother. She would make me and my younger sister and brother little duckling costumes and put us in kiddie shows.
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Well, any time Im preparing for a performance or even a rehearsal, its as if in a way, like any other athletes, these are muscles that support the vocal cords which are just I believe cartilage. It demands a kind of constant warming up and a constant feeling of where is the voice today.
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It is our responsibility to learn how to speak to an audience that is less informed about music, to give it a reason to want to come and see us instead of going to the movies.
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At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.
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My worry is that opera will become an historic art form as opposed to a living, breathing thing.
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A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
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Among the important realizations I had in my own days in the practice room was that if any one route to any one phrase didn't work after days of trying, then the exact opposite route should at least be explored, as well as every alternative in between, as counterintuitive as that often seemed.
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I have a certain image that's more classic, and I'm happy to stay out of the fray.
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Music enabled me as a fragile young person to give voice to emotions I could barely name, and how it enables me to give my voice the unique and mysterious power to speak to others.
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I'm American. I'm eclectic. I'm going to follow my musical passions. And if people don't like it, and it hurts my legacy, I'm not going to worry about that.
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