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A lot of bad behavior in singers is caused by nerves.
Renee Fleming
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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Caused
Nerves
Singers
Behavior
More quotes by Renee Fleming
I learned so many roles so quickly as a young singer, I thought it was time to come back to them and make them better - deeper, more nuanced.
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I don't want to record anything unless it can be great and genuinely interesting.
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We sing with the entire body. The sounds that we make emanate not just from the head, but from the whole heart and soul, and, most important, the gut.
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In a way, being an opera singer is like being a very romantic sixteen-year-old who falls in love with great passion and conviction every month.
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Every singer eventually gets around to a Christmas disc.
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I think singing is one of the most natural things that human beings do, but it's difficult.
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I'm lucky - I can do two things at once.
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I have had a very difficult time with stage fright it undermines your well-being and peace of mind, and it can also threaten your livelihood.
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I don't like to sing loud.
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The first thing I did when I made a little bit of money as a singer was to buy myself an amber necklace. This is often the way we put together our lives, adding the striking qualities of others into our own character.
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Among the important realizations I had in my own days in the practice room was that if any one route to any one phrase didn't work after days of trying, then the exact opposite route should at least be explored, as well as every alternative in between, as counterintuitive as that often seemed.
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When I sing, the sound is a totally different range, color, all of it. It's all about the breath. You take in a breath and you make a sound.
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Someone once said that there are probably seven naturally good singing days in a year-and those are days you won't be booked. What we must learn is how to sing through all the other days.
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I want to get out of the major opera houses.
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My worry is that opera will become an historic art form as opposed to a living, breathing thing.
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I think singing it when its done well is extremely natural. It feels great.
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No voice teacher can be all things to all people. You have to gain information from whatever sources you can. You have to listen.
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At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.
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I enjoy the more floaty, exposed, elegant singing.
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I have a certain image that's more classic, and I'm happy to stay out of the fray.
Renee Fleming