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A lot of bad behavior in singers is caused by nerves.

Renee Fleming

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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Caused
Nerves
Singers
Behavior

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Every singer eventually gets around to a Christmas disc.
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Someone once said that there are probably seven naturally good singing days in a year-and those are days you won't be booked. What we must learn is how to sing through all the other days.
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An interpretation exists because of what we find between the notes.
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While it's a fact that a voice begins with natural talent, any talent must be nurtured, cajoled, wrestled with pampered, challenged, and, at every turn, examined.
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I'm reserved, so I've always needed to find a way of opening up. Jazz helped me do that.
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There's no performance where I never have to think about setting up a phrase or making a technical adjustment while I'm performing.
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I have a noble history of being rejected by a lot of places, only to discover that the one that finally lets me in is in fact the perfect fit.
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I think singing is one of the most natural things that human beings do, but it's difficult.
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I cannot imagine a more satisfying calling than my own: beauty, humanity, and history every day, combined with the cathartic joy of singing.
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At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.
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For years, I had no time for exploratory travel.
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A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
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The reason that some singers go on to become great artists has very little to do with their voices, but rather with the fact that they have used their instruments as tools for detailed communication.
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When I sing, the sound is a totally different range, color, all of it. It's all about the breath. You take in a breath and you make a sound.
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No voice teacher can be all things to all people. You have to gain information from whatever sources you can. You have to listen.
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I have a certain image that's more classic, and I'm happy to stay out of the fray.
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I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that.
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I have had a very difficult time with stage fright it undermines your well-being and peace of mind, and it can also threaten your livelihood.
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Music enabled me as a fragile young person to give voice to emotions I could barely name, and how it enables me to give my voice the unique and mysterious power to speak to others.
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I listen to archival and historic recordings. I love watching singers. I learned a lot from watching videos.
Renee Fleming