Quote

The first thing I did when I made a little bit of money as a singer was to buy myself an amber necklace. This is often the way we put together our lives, adding the striking qualities of others into our own character.

Renee Fleming

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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Littles
Bits
Necklace
Little
Quality
Necklaces
Firsts
Lives
Amber
First
Often
Striking
Thing
Others
Adding
Made
Money
Singer
Way
Character
Qualities
Together
Singers

More quotes by Renee Fleming

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Perfection often creates such a flawless surface that there's no place for the audience to enter into a piece, while the idiosyncrasies of individual style are like windows into the singer's heart.
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I was always a very good student.
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Everybody's a work in progress. I'm a work in progress. I mean, I've never arrived. I'm still learning all the time.
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I have had a very difficult time with stage fright it undermines your well-being and peace of mind, and it can also threaten your livelihood.
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When I sing, the sound is a totally different range, color, all of it. It's all about the breath. You take in a breath and you make a sound.
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I listen to archival and historic recordings. I love watching singers. I learned a lot from watching videos.
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Every singer eventually gets around to a Christmas disc.
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One of my timesaving habits is to save all of my magazines and junk mail for airplane trips. I walk on the plane with a very heavy bundle, but by the time the trip is over, it can all be thrown away.
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Music was language in our house. It was air.....I feel certain that if I absorbed any lessons at all in the first months and years of my life, they must have been about the work that went into making a beautiful sound.
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I enjoy the more floaty, exposed, elegant singing.
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An interpretation exists because of what we find between the notes.
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Among the important realizations I had in my own days in the practice room was that if any one route to any one phrase didn't work after days of trying, then the exact opposite route should at least be explored, as well as every alternative in between, as counterintuitive as that often seemed.
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With classical singing you have to put out so much air - you project, you emit force.
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A lot of bad behavior in singers is caused by nerves.
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I learned so many roles so quickly as a young singer, I thought it was time to come back to them and make them better - deeper, more nuanced.
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The student's job is to stay open-minded, to quell the knee-jerk defensiveness we all possess in the face of suggestions for improvement, and to maintain patience when faced with a process that is often slow, confusing, and frustrating.
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I've spent hours and hours doing research into Appalachian folk music. My grandfather was a fiddler. There is something very immediate, very simple and emotional, about that music.
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While it's a fact that a voice begins with natural talent, any talent must be nurtured, cajoled, wrestled with pampered, challenged, and, at every turn, examined.
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Well, any time Im preparing for a performance or even a rehearsal, its as if in a way, like any other athletes, these are muscles that support the vocal cords which are just I believe cartilage. It demands a kind of constant warming up and a constant feeling of where is the voice today.
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I cannot imagine a more satisfying calling than my own: beauty, humanity, and history every day, combined with the cathartic joy of singing.
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