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A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
Renee Fleming
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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Sing
Circuits
Leave
Partly
Least
Concerts
House
Performers
Many
Opera
European
Prime
Singers
Circuit
More quotes by Renee Fleming
I listen to archival and historic recordings. I love watching singers. I learned a lot from watching videos.
Renee Fleming
While it's a fact that a voice begins with natural talent, any talent must be nurtured, cajoled, wrestled with pampered, challenged, and, at every turn, examined.
Renee Fleming
A lot of bad behavior in singers is caused by nerves.
Renee Fleming
I think singing it when its done well is extremely natural. It feels great.
Renee Fleming
My worry is that opera will become an historic art form as opposed to a living, breathing thing.
Renee Fleming
I don't like to sing loud.
Renee Fleming
I want to get out of the major opera houses.
Renee Fleming
Music was language in our house. It was air.....I feel certain that if I absorbed any lessons at all in the first months and years of my life, they must have been about the work that went into making a beautiful sound.
Renee Fleming
When I sing, the sound is a totally different range, color, all of it. It's all about the breath. You take in a breath and you make a sound.
Renee Fleming
I cannot imagine a more satisfying calling than my own: beauty, humanity, and history every day, combined with the cathartic joy of singing.
Renee Fleming
I learned so many roles so quickly as a young singer, I thought it was time to come back to them and make them better - deeper, more nuanced.
Renee Fleming
Every singer eventually gets around to a Christmas disc.
Renee Fleming
Perfection often creates such a flawless surface that there's no place for the audience to enter into a piece, while the idiosyncrasies of individual style are like windows into the singer's heart.
Renee Fleming
There's no performance where I never have to think about setting up a phrase or making a technical adjustment while I'm performing.
Renee Fleming
An interpretation exists because of what we find between the notes.
Renee Fleming
Among the important realizations I had in my own days in the practice room was that if any one route to any one phrase didn't work after days of trying, then the exact opposite route should at least be explored, as well as every alternative in between, as counterintuitive as that often seemed.
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My mother was the worst kind of stage mother. She would make me and my younger sister and brother little duckling costumes and put us in kiddie shows.
Renee Fleming
I enjoy the more floaty, exposed, elegant singing.
Renee Fleming
With classical singing you have to put out so much air - you project, you emit force.
Renee Fleming
For years, I had no time for exploratory travel.
Renee Fleming