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I don't like to sing loud.

Renee Fleming

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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Loud
Sing
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More quotes by Renee Fleming

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I don't want to record anything unless it can be great and genuinely interesting.
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Everybody's a work in progress. I'm a work in progress. I mean, I've never arrived. I'm still learning all the time.
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The first thing I did when I made a little bit of money as a singer was to buy myself an amber necklace. This is often the way we put together our lives, adding the striking qualities of others into our own character.
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I'm reserved, so I've always needed to find a way of opening up. Jazz helped me do that.
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I cannot imagine a more satisfying calling than my own: beauty, humanity, and history every day, combined with the cathartic joy of singing.
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A lot of bad behavior in singers is caused by nerves.
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There's no performance where I never have to think about setting up a phrase or making a technical adjustment while I'm performing.
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I'm lucky - I can do two things at once.
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Music was language in our house. It was air.....I feel certain that if I absorbed any lessons at all in the first months and years of my life, they must have been about the work that went into making a beautiful sound.
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I'm American. I'm eclectic. I'm going to follow my musical passions. And if people don't like it, and it hurts my legacy, I'm not going to worry about that.
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I have not changed with the accomplishments. I've remained the same. If I had changed, great. You know, but I haven't.
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I have had a very difficult time with stage fright it undermines your well-being and peace of mind, and it can also threaten your livelihood.
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So much can be gained from watching other singers, seeing what they do and what they don't do, seeing how they look when they breathe, how wide they open their mouths for a high note.
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My whole career I played these girls sort of 18 to 23.
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I was always a very good student.
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Music enabled me as a fragile young person to give voice to emotions I could barely name, and how it enables me to give my voice the unique and mysterious power to speak to others.
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Perfection often creates such a flawless surface that there's no place for the audience to enter into a piece, while the idiosyncrasies of individual style are like windows into the singer's heart.
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I have a certain image that's more classic, and I'm happy to stay out of the fray.
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Someone once said that there are probably seven naturally good singing days in a year-and those are days you won't be booked. What we must learn is how to sing through all the other days.
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I've spent hours and hours doing research into Appalachian folk music. My grandfather was a fiddler. There is something very immediate, very simple and emotional, about that music.
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