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I don't like to sing loud.

Renee Fleming

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Renee Fleming
Age: 65
Born: 1959
Born: February 14
Musician
Opera Singer
Indiana
Pennsylvania
Renee Fleming
Loud
Sing
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More quotes by Renee Fleming

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One of my timesaving habits is to save all of my magazines and junk mail for airplane trips. I walk on the plane with a very heavy bundle, but by the time the trip is over, it can all be thrown away.
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In a way, being an opera singer is like being a very romantic sixteen-year-old who falls in love with great passion and conviction every month.
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When I sing, the sound is a totally different range, color, all of it. It's all about the breath. You take in a breath and you make a sound.
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I'm lucky - I can do two things at once.
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Every singer eventually gets around to a Christmas disc.
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An interpretation exists because of what we find between the notes.
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Singers can also get away with a lot based on youth, strength and enthusiasm, only to find ten years later that what was once just a niggling problem has brought their careers to an end.
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A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
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I'm American. I'm eclectic. I'm going to follow my musical passions. And if people don't like it, and it hurts my legacy, I'm not going to worry about that.
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Someone once said that there are probably seven naturally good singing days in a year-and those are days you won't be booked. What we must learn is how to sing through all the other days.
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With classical singing you have to put out so much air - you project, you emit force.
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Among the important realizations I had in my own days in the practice room was that if any one route to any one phrase didn't work after days of trying, then the exact opposite route should at least be explored, as well as every alternative in between, as counterintuitive as that often seemed.
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There's no performance where I never have to think about setting up a phrase or making a technical adjustment while I'm performing.
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I have had a very difficult time with stage fright it undermines your well-being and peace of mind, and it can also threaten your livelihood.
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I cannot imagine a more satisfying calling than my own: beauty, humanity, and history every day, combined with the cathartic joy of singing.
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So much can be gained from watching other singers, seeing what they do and what they don't do, seeing how they look when they breathe, how wide they open their mouths for a high note.
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Your brain has a music room, and evolution would not have gone to the trouble of designing that if it didn't have some benefits. So, that suggests to me that we and our ancestors have had music as a central part of our experience for eons. And we're just beginning to understand how that might be. I think that's fascinating.
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I want to get out of the major opera houses.
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I've spent hours and hours doing research into Appalachian folk music. My grandfather was a fiddler. There is something very immediate, very simple and emotional, about that music.
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I haven't really been able to transfer into that extraordinarily other worldly creature, other than I hope on stage.
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